Flying betwixt one and the other. Always sad. But always hopeful.
Flying betwixt one and the other. Always sad. But always hopeful.

Confession: I will never be happy!

My heart forever torn between two great loves.

American surfers often gaze at Australia like Narcissus gazed at his own reflection upon the waters. They stare, tenderly, into the vibrant, high-spirited nationalism staring back and think, “Having convict forbearers is much cuter, and equates to a much better time, than having Puritan ones.” They smile at the tanned, beer drinking, easy living, carefree, surf obsessed doppelganger and sigh, “Australia is perfect. Australia is us only better.”

I felt this same way when I was a young boy. My father taught school, for two years, in Papua New Guinea and many of my classmates were Australian. I envied them. I found myself calling friends “mate” and saying, “G’day” to passers by. I told my teachers that I was from Australia too and claimed the Southern Cross as my own. Australians were just so dynamic and captivating and it was only through some rude cosmic hoax that I had not been born “down under.”

Three years ago, I moved to Sydney in order to fulfill my childhood destiny. Everything seemed exactly perfect as I stepped off my Qantas flight and breathed the Eucalyptus tinged air. I was now “Australian” and things were the way they always should have been. I looked around at my new countryfolk and saw that the entire population lived within twenty minutes of fantastic surf and that living well was prized above all. Wild nights cascaded, effortlessly, into barrel-filled days cascaded back into wild nights. Men wore v-neck t-shirts so low that their tanned midsections were visible to the blonde and easy sheilas prowling for a “go.” I gazed deeply into the waters and was thrilled by the lateral inversion beaming back. Cars drove on the left instead of the right. Steering wheels were on the right instead of the left. Winter was summer and summer was winter.

Fannies were on the front of women and not the back. It was just different enough to be very very cute. And better. Everything around me was better. I believed that those first convicts, shipped across the Pacific, had created a heaven on earth for surfers. They had been seen as undesirable in their home Britain and so the crown, in its wisdom, sent them away. Left to their own devices, they cast off cultural stratification and the very idea of noblesse oblige. They were all one, dirty, fun-loving lot.

They were all one and the same. They were fathers of a nation nonpareil. And I strove to be the best Australian I could be, wearing very very low v-necks myself, cheering the footy, eating meat pies for breakfast, drinking Tooheys by the glass and pronouncing it “Choo-ees” and calling the glass a “schooner.” I surfed Bondi, Byron, Snapper and Bells. I added –ies to the end of every word I said, as in, “Mate, let’s go for a surfies at Snappies.” But I soon realized something profound. “Striving” is quintessentially un-Australian. I found that a condition called Tall Poppy Syndrome inflicts the entire continent. In Australia, to achieve anything at all is an affront to the nation. They mock excellence. They despise upward mobility. To become someone, or something, is not valued. Tall poppies are meant to be cut down to size. It was a grimy cockney pickpocket accent sneering, “What? Yous think yous betta than me, govnah’?” at the well-bred and well-fed. It was making sure everyone stayed down together.

I looked around without rose-coloured lenses. Australia has no good architecture, save the Sydney Opera House, no good university, no seriously lauded scientist or thinker or author save Derek Rielly who just released the greatest political book of all time. It has plenty of pretty actors and actresses and models and surfers but, let’s be honest, none of them strive for more. Each is happy in his or her lot. I fell into a deep existential funk. The reflection of my dream, of our dream, was no more than a fraudulent trick of light upon the waters.

I flew back to Los Angeles, one year after moving to Sydney, and wandered the streets, looking at art-deco buildings and upwardly mobile execs driving Porsches. I watched people judge other people and envy what other people had and I realized that judgment and envy makes for great art. I thanked God that he made my forbearers Puritan and not convict. But then I remembered the good times. The lack of pressure. The easy smiles.

The surf, surf, surf and surf. I missed my Australia and realized I was forever twisted. I would never be happy in either place. I would forever need both Australia’s easy going and America’s upward toil. Well, so be it. God save the queen and God bless America.

(This piece first appeared in Surf Europe)


Not true!
Not true! | Photo: WSL/Kelly Cestari

Revealed: Photos are the worst liars!

A picture is worth the thousand words it takes to clean it up.

I knew it. I just plain new it for all these years but it remained a gut feeling. An instinct that I couldn’t shake. My whole professional career, you see, I’ve had beef with photos. Damned photos. That’s what everyone wants. That’s what everyone craves. No one ever bought a surfing magazine to read the articles. And so the surf photographers got fat paychecks and fat heads. The old adage “a picture is worth a thousand words” emblazoned across their smug expressions.

But I knew it all along. I knew their photos were liars. That the surf photographer, with all his skill, could capture anyone in the most marvelous light. That what he shows us ain’t necessarily so. I knew it but had no proof.

Until today.

Oh yes I watched the first three heats of the Gums Masters and I watched the Italian Ferrari try the best he could by pitching some pretty… you know… air things. They looked alright, I suppose, but nothing… you know… epic.

But look above. How epic does that look? I’ll tell you, it looks almost iconic making it a total lie. Can we now start saying “a picture is worth the thousand words it takes to clean it up” as our adage?

Thank you.


Gerry Lopez tickling the crest while the green room opens behind him.
Gerry Lopez tickling the crest while the green room opens behind him.

Is Surf Ranch better than Pipeline?

Help me get on the right side of history!

There are four more days in the waiting period for the Pipeline Masters, many heats left to surf and an extremely poor forecast. Blame global warming, blame Kieren Perrow, blame God, blame Kane, Ku, Lono and Kanaloa, blame whomever you wish but thems the facts and the 2017 World Champ will be crowned in a whimper not a bang.

And it was with this reality looming that Derek Rielly texted me last evening. “Story for tomoz: Is surf Ranch better than Pipe? (Considering how crummy it is going to be for the title thing…)”

Oh how my heart revolted inside me as I pitched my phone aside, thrusting one finger into the air and shouting, “Never!”

Pipeline is our Jerusalem, Mecca and Rome. It is the greatest wave in the entire world and some piddly man-made thing in the middle of California’s stinky guts should not even be breathed in the same breath.

Pipeline is natural, it is glorious. The Surf Ranch some modern new-fangled contraption. Some electric…

But then I put my one finger down and thought, “Am I in the crowd at the Newport Folk Festival in 1965? Is Bob Dylan on stage? Did he just plug in his electric guitar? Am I booing Bob Dylan and progress?”

You are, of course, culturally astute and know the story. Dylan was one of the most popular figures in music, having ridden a gentle sound to the very top of the charts. He released an album that year that featured an electric track which was received with mixed feelings by the folk community. Later, at the Newport Festival, the promotors had denied another band that tried to go electric. Bob Dylan allegedly said, “Well, fuck them if they think they can keep electricity out of here, I’ll do it.” in response and half of the crowd booed him lustily for selling out.

Those boo birds were basically retarded because without electric Dylan we would never have had Mötley Crüe or Blink 182. Can you imagine that world? I can’t either and don’t want to be on the wrong side of history here so tell me.

Is Surf Ranch better than Pipeline?


natasha-brown
Very bad time to be a black gal in America, says leader of Brown Girls Surf, Natasha Brown.

Quiz: Would the world be better if everyone surfed?

Do you imagine a world where love of surf unites the world?

Earlier today, a tear plopped onto my keyboard. I was moved by the simple beauty of a friend’s post on Facebook. He had shared a movie called Women of Color As a Powerful Form of Resistance.

The three-minute short revealed an organisation called Brown Girl Surf  “that teaches girls of color to surf.”

It is an important film because it shows “other women of color that surf is not a white man’s playground” and “that the water is a safe space for women of color because the water is honest.”

The group’s leader says it’s “definitely not a good time to be a woman of color in America” which I presume to be a fork in the eye of America’s 45th president.

Anyway, the friend, a polite and nice little kid who lives in San Francisco, had wrapped the shared post with the message, “The world would be a better place if everyone surfed.”

Which is a fine thing to say.

When I was a child I, too, imagined a world where world leaders wore golden locks from all their surfing, where the Russian president would horse around with his American counterpart, joined together by their love of the ocean.

Of course, I soon became aware that surf did shit for a person’s emotional IQ, that altruism didn’t blossom on the ocean’s seabeds, feeding osmosis-like, into anyone sitting on a surfboard.

But I have a lousy personality. I’m the kind of guy who won’t talk to anybody unless I want something off you.

Therefore, I ask: would the world be a better place if everyone surfed? If the seas were filled with joyous wave dancers? Where colour, religion and so forth were left on the shoreline like your pretty new Leus towel?

An earthy paradise or living hell?

(Watch the colourful girl’s movie here.)


Dane-Reynolds-surfboard

Dane: “The best boards are enablers!”

The one-time fourth-highest rated surfer in the world on what works, what don't… 

A brief exploration of Dane Reynolds’ thoughts as they pertain to surfboard and surfboard design. Helpful, perhaps, as Christmas comes closer and gifts must be suggested and sought.

DR: I know you know boards. So tell me about the board you’re riding at the moment. Who shaped it, dimensions, volume, rail shape, rocker, bottom curve etc. What characteristics do you like, and do you not like, about this board?
Dane: It’s a Channel Islands Black and White shaped by Britt Merrick. The dimensions are, 6’0″ by 19 1/8″ by 2 7/16″. It was a really good board. I’ve had a couple other memorable clips on it. Pretty much most of the footage I’ve shot in the past three years was on four boards, all Black and Whites. Somehow I’ve had really good luck with them. I probably get quarter of the boards I used to but have a way higher ratio of good ones. They’re pretty basic boards: low entry, actually mellow overall rocker, hips, good foil, nothing fancy but just feel like they’re enablers. They get you there. Good balance of drive, rail-to-rail transition, pick up, hold, just neutral and familiar feeling.

You’ve always been hands on with Al and Britt. What gives you a kick about making boards?
Dane: Riding them! Making boards that allow you to surf the way you want to ride a wave.

dane-reynolds-shaping
“Drawing out the outline is fun, trying to blend curves and stuff. Then I grab the saw and all of that’s pretty much out the door, as I’m really shit at sawing. I find that to be the hardest part of the whole process. Then I hack at it with a planer, which I’m also shit at, then try and pick up the pieces after that.” Photo: Morgan Maassen.

What’s the first thing you do when you get a blank and you chuck it on the shaping stand?
Dane: Me personally? Drawing out the outline is fun, trying to blend curves and stuff. Then I grab the saw and all of that’s pretty much out the door, as I’m really shit at sawing. I find that to be the hardest part of the whole process. Then I hack at it with a planer, which I’m also shit at, then try and pick up the pieces after that and see where you’re at and reassess the situation.

 

They’re pretty basic boards: low entry, actually mellow overall rocker, hips, good foil, nothing fancy but just feel like they’re enablers. They get you there. Good balance of drive, rail-to-rail transition, pick up, hold, just neutral and familiar feeling.

 

What blanks do you use, which particular models?
Dane: If I’m making a normal shortboard for myself, the 6’4″ EA from US Blanks.

How often do you ride boards you’ve shaped?
Dane: Not so much. I was making a lot more boards before I had a kid and started a company.

Describe the best board you’ve shaped.
Dane: I have one from 2014 I still ride a lot. I’d say it’s the best board I’ve ever shaped. Just a really good shortboard.

Describe the worst board you’ve shaped.
Dane: I’ve made lot’s of shitty boards. When I first started I thought it was so cool to shape ’em without templates or dimensions or plans, just kinda hack away. I was, like, “Look at my foot! It’s not symmetrical! Look at the way i stand on a board! It’s not symmetrical! Why do I need symmetry!” Some of them were really good boards, though. I’d say the worst is when you try to make a high-performance shortboard and get it wrong. There’s a narrow margin for error on a high-performance board and if you get it wrong it’s really shit.

What do you like about riding your own boards?
Dane: It’s a fun process, building it and then trying it.

What don’t you like?
Dane: When they go shit.

What’s your level of sensitivity in regards to riding boards? Can you feel single design elements in your boards? Can you feel a slightly deeper concave or a touch more rocker in the tail?
Dane: I’d say I’m pretty sensitive to the way a board rides but can’t really attribute it to one design quality. Like, two boards that look identical, pretty much never ride the same And it could be anything, the foam, glassing, sanding, stringer, twist in the blank, slight differences in edge, tuck, concave, who knows. It’s better not to analyse too much and move on.

In the sixties and seventies there were a ton of surfer, shapers: MP, Simon, MR etc. Not so much now. You got a theory why?
Dane: Because it’s hard! And time consuming. Back then, those dudes would probably make a few boards a year for themselves and they weren’t exactly fine tuned. There was a way bigger margin for error, they weren’t very refined. Now guys are getting 26 boards before a contest and picking the top six and the guys shaping for ’em are so good! Of course, computers help with replication. It was just a different time, too many reasons to name, really. When you shape a board it gives you a lot of respect for the guys who do it well. It’s not easy to make a good shortboard and, especially, to do it consistently.

You can only pick one element of board design, (ie rocker, planshape, concaves, rails, tail etc) which is the most critical?
Dane: Material.

Have you delved much into much retro or experimental boards? (ie singles/ twins, asymmetrical.) Do these sorts of designs excite you or do you find them limiting?
Dane: When I first started, most of the boards I’d make were, I wouldn’t say retro or experimental, but more like fun shapes. They’re really a lot more fun to shape and ride because pretty much whatever you do they’re still fun to ride, where as a shortboard, like I said, if you get it slightly wrong it’s not a fun ride.

How have you boards changed from what you ride today, from when you were on the Tour?
Dane: When I was on tour it was mostly Rookies and Protons which are really curvy. My shortboards are quite a bit mellower rocker-wise these days.

I have dreams where I’m trying to make it to my heat and I’m stuck in traffic or people keep stalling me out or keeping me places while I know my heat’s coming up. Or I’m in a heat and my legs won’t move and I need a score or I’m getting chased by a shark and also trying to surf a heat.

What do most average surfers get wrong with their boards?
Dane: Shit no idea. Most people I know or see at the beach take what they can get.

What is more likely to keep you awake at night, thoughts about shaping or surfing?
Dane: I still have dreams where I’m trying to make it to my heat and I’m stuck in traffic or people keep stalling me out or keeping me places while I know my heat’s coming up. Or I’m in a heat and can’t surf, like my legs won’t move and I need a score or I’m getting chased by a shark and also trying to surf a heat.

There’s the old Terry Fitz piece of advice that until you’re a a very good surfer, you should build your style around your boards, not your boards around your style. Should an average cat worry about his boards or just get something that sorta fits and work it?
Dane: I’d say, consider the waves you surf when choosing a board. Point breaks you want something that glides. If you live in Hawaii you want something that harnesses speed. If you live in Florida you want something that generates speed. Then have your friend or girlfriend film you and if it’s shocking or embarrassing, reassess your equipment and approach. Ha!

(Editor’s note: A longer version of this story first appeared in Surfing Life‘s surfboard issue, number 338. Buy it or subscribe here.)