With the one and still-only Ted Grambeau…
If you’ve ever been pulled into Ted Grambeau’s orbit you would’ve found a technically brilliant photographer with the eye of a master.
I’ve known Ted since I first swung into the surf mag game and, back then, it was rare to ever find Ted at home. From the early days in Indonesia to West Africa and Micronesia, Ted was a pioneer of the best sort. He never named. He never trampled the places he came to shoot.
Ted is a photographer in the style of Cartier-Bresson, his favourite as it happens, whose life goal goes beyond money (he has none) but to create images that… speak.
“Photography is a way of sharing your experiences but through your own creative signature,” he says. “And that’s why I love Henri Cartier-Bresson and Sebastian Selgado. They capture real moments and they have their signatures all over it.”
In between all the travel, however, Ted quietly developed his fashion game. Surf co’s and whoever else hired him and without any kind of histrionics he… nailed… their shoots.
All those great Alana Blanchard shots? Yeah, it’s Ted.
His style isn’t studio couture, although this he can nail with his eyes shut, but revolves around water and the movement of the sun.
Lately, he’s been working on a fashion series shot entirely underwater and using the fine-art artillery of Danish Phase One camera backs.
Watch Ted in action here. And you must follow his IG (click here) and email if you want to say hi, or buy, or learn. [email protected]
John frank and Ted. Good team.