A note to the judges from a former world number
two.
Just two months ago, Shane Beschen, a former
runner-up to the world title and a regular foil to Kelly Slater,
was described here as “the least huggable pro of
all.”
Beschen, who was on the world tour between 1993 and 2005, had a
bit of the Bobby Martinez’ about him – poisoned by the feeling he
never got the deals or results he deserved and quit the tour a few
years too early.
“I feel like a black person in South Africa 50 years ago, and
all the judges are white,” said Shane in 1998.
What we may not appreciate about Shane, who is forty-five years
old or one week older than Kelly Slater if you want perspective, is
how lucid he is about technique and competitive performance. His
two boys, Koda and Noah, are all products of a pappy who knows the
game.
And, yesterday, when Beschen lip up Facebook with a note to the
tour’s judges on how to score backhand surfing, well, it behooves a
man to listen, don’t it?
“I have posted 4 photos starting with the highest degree of
difficulty and working down to the lowest,” wrote Beschen. “Julian
Wilson demonstrating an extreme throw tail where his entire board
is out of the water and only the tip of his nose is touching. This
is an ‘excellent’ backside maneuver with the highest degree of
difficulty.
“The second photo, to the right of Julian, shows a backside
throw tail in which half of the surfboard is out of the water. This
is also an ‘excellent’ maneuver with a high degree of difficulty
and should be the starting point in which a maneuver is deemed
progressive.
“The third photo is called a backside release and as you can see
there is very little if any of the tail out the back of the wave.
This should be deemed a ‘good’ maneuver as the ‘degree of
difficulty’ is much less than the first two photos.
“The fourth photo is a backside carve and although it could
still be deemed a ‘good’ maneuver it is much less difficult than
the first three photos.
“In conclusion. To further push the level and excitement of
surfing within the WSL there should be a points cap on ‘good’
surfing. A combination of ‘good’ turns should never be
rewarded an ‘excellent; score. If competitors know they can reach
an excellent score with good surfing they will not take unnecessary
risk.
“Solution. A cap of 7.5 – 8 points should be set on good surfing
so competitors will push their performance to achieve excellent
scores. An excellent score should have at least one excellent turn
performed during the ride. In turn, the @wsl and all of the fans
will enjoy more exciting performances from their favorite surfers.
This can only be a positive for the @wsl and its loyal surf
fans.
“Please leave your thoughts and keep them constructive.”
Jamie O'Brien's latest offering is perfect. Don't
let the elitist fun police tell you otherwise.
The genius is not in how much Jamie O’Brien
does in “Who is JOB 7.0″ but in how little. This is the work of an
artist so sublimely confident that he doesn’t include a single shot
simply to keep our attention. He reduces each scene to its essence,
and leaves it on screen long enough for us to contemplate it, to
inhabit it in our imaginations. Alone among online surf serials,
“Who is JOB 7.0″ is not concerned with thrilling us, but with
inspiring our awe.
The series creates its effects essentially out of visuals and
music. It is meditative. It does not cater to us, but wants to
inspire us, enlarge us. Bali surf boxing? Poopies’ rodeo? A barrel
contest over eyebrows? The challenges are perfection. Simple,
joyous perfection.
Only a few shows today are transcendent, and work upon our minds
and imaginations like music or prayer or a vast belittling
landscape. Most are about characters with a goal in mind, who
obtain it after difficulties either comic or dramatic. But here we
see genuine fun playing out. Genuine fun minus the strictures of
Venice Beach and also Venice-adjacent.
“Who is JOB 7.0” is not about a goal but about a quest, a need.
It does not hook its effects on specific plot points, nor does it
ask us to identify with the elitist too-cool-for-school
fun police. It says to us: We became men when we
learned to think. Our minds have given us the tools to understand
where we live and who we are. Now it is time to move on to the next
step, to know that we live not on only land but among the waves,
and that we are not flesh but intelligence.
I must admit that I am proud to see this 7.0 iteration. Proud
beyond words for it was I, Chas Smith (back when I was a younger
man named “Charlie”), who directed the original
film “Who is JOB” some 7 years ago.
And nearly 7 years after it was made, it has not dated in any
important detail, and although surfing maneuvers have become more
versatile in the modern age, my work remains completely convincing
— more convincing, perhaps, than more sophisticated maneuvers in
later films, because it looks more plausible, more like documentary
footage than like elements in a story.
“Who is JOB” is a classic in the genre, one of the better
surfing films ever made and “Who is JOB 7.0” sets the bar for the
people. For this is what we want, 1% be damned.
The reinvention of Jordy Smith has been one of
the highlights of this year’s World Tour don’t you think? Not only
his surfing but his shiny more comfortable personality. I look
forward to his every interview with Rosie Hodge, their South
African patois doing a beautiful gumboot in front of the
step-and-repeat.
Seeing him choose a surfboard for Stab in the Dark was
equally fine, the joy he took in both praising but also making fun.
Did you catch all his underhanded pokes? Very funny. Very fun.
Stab went out of its way, just like the WSL, to mention
Jordy’s weight over and over and over again (193 lbs) along with
his height (6’3). I have never hugged Jordy and tried to lift him
off the ground so cannot speak to his weight but I did walk right
past him on the trail leading to Trestles (hereafter known as Ho
Chi Minh in honor of the people) and have questions about his
height.
He was coming down with two board caddies in tow. I was going up
with my Louis Vuitton drivers covered in dirt but spirit buoyed by
the scent of the people.
We passed and I looked down upon his Red Bull hat and thought,
“If Jordy Smith only had wings then he would be as tall as me.”
I am 6’2.
Now, there are many many variables here of course. The Ho Chi
Minh is not even and smooth, we were both walking and in different
directions, he may have stepped into a divot right as we passed,
the moment only lasted less than a second, my Tom Ford sunglasses
were smudged.
But I think there is no way in hell that Jordy Smith is actually
6’3. I think he is falling into the very common trap of adding 2
inches to his height making him 6’1.
Is this a scandal? Only if you place any value on truth. Only if
you care about honesty and hard work.
Tony Roberts is a 52-year-old surfer from Santa
Cruz whose stated public goal is to be the best over-fifty
surfer above the lip. Brad Gerlach, who is 50, is a former world
number two (or one depending if you subscribe to Gerr’s belief that
if you were, at some point on the tour ratings, number one you
should own it).
He’s also got a point to prove. He lives for the betterment of
his technique.
Two men. Same age. Same belief.
To wit, just because you’ve hit the autumn years don’t mean you
have to stop improving. And it certainly doesn’t mean your wings
are clipped.
Recently, Gerr flew to Costa Rica. He’d help Tony with turns;
Tony’d help Gerr with his airs.
Tony told Gerr, “Don’t boost too early.”
Gerr told Tony. Get that ass real low. “Your butt needs to go
down toward the Achilles tendon,” said Gerr. “Jordy surfs so good
‘cause his ass is on the ground!”
Tony grew up as a skater/surfer and was mentored between 12 and
16 by the early air pioneer Kevin Reed, who was in the news
recently when he was arrested on suspicion on murdering another
homeless man although he was quickly released.
Tony says he nailed his first real air in 1978.
“Surfers said I surfed like a skater. Skaters say I skated like
a surfer,” says Tony, who moved to Central America 20 years ago. He
divides his time between Costa Rica, Nicaragua, El Salvador, the
Dominican Republic and Jamaica.
See, Tony had a little epiphany when he hit thirty. He didn’t
want a part of the American Dream. Didn’t want to throw the
physical world away in pursuit of the material He wanted to
surf and he wanted to hit new heights of performance even as he
aged.
So he went vegetarian. Got into yoga.
And surfing in warm water?
“It was like taking off the ankle weights,” he says.
I ask, what do older guys struggle with most, air wise?
“The best guys at doing airs have surfed like that their entire
lives. Not many guys my age were focussing on surfing above the lip
when we were kids. It just wasn’t cool. We were called flying
squirrels. If a surfer can stay in shape and surf every day into
their fifties, they’re usually honing the same type of surfing they
always did.”
Gerr knows the sound of that. He was totally into airs when he
was fifteen but felt an insane pressure to work on his power. Sure
Pottz was doin’ airs back then, but he won a world title with
cutbacks and surfing at a self-confessed three-quarter pace. Gerr
got back into airs in his late forties. He says the weirdest thing
for older guys is moving your front foot in the air and sticking
the landing.
“It’s a weird thing to land on the nose of your board,” he says.
Tell an old guy to wax up the front third of his board and you’ll
know how weird.
Which makes it sounds like if you didn’t grow up doin’ airs,
don’t start. Tony says it’s never too late. You’ve just gotta want
it, even if you have to temper that excitement a little, he
says.
“If you have air fever and just try airs on every wave your
stomp percentage will be real low. So, first tip. It’s wave
judgement. You gotta learn what a good ramp looks like. You have to
know when to go, when to blow. Slater is a great example. He only
goes for airs on waves that have good sections for it. Most older
guys tend to boost too early and fly out the back of the wave.”
Tony says you have to slow the game down, even if it means
eating into your style. Stomp on the tail, stay in the pocket, wait
for the wave to set up.
“Watch any footage of Ratboy Collins. He has a very exaggerated
setup,” says Tony. “He’ll even just stand on the tail and sideslip
to let the wave form in front of him, then pumps and gets speed and
then really pauses at the last moment until he sees the coping,
then boosts.”
Gerr says: “Filipe Toledo’s whole momentum is going through his
front foot. He doesn’t get that stuck-at-the-top feeling and the
reason he’s landing so many aerials is he has a very clear picture
in his mind where he’s going to land. He’s not up there in the air
going, “I’ll see where I am when I’m up in the air”. The better
surfer you are, the slower the wave appears to you.”
What else are the old men doing wrong?
“They crank too hard once in the air and over-rotate,” says
Tony. “A nice straight air is equal parts power and finesse, like a
straight ollie street skating.”
Specifically, “the frontside edge of your front foot is what
should be guiding the board upon takeoff. Wherever your eyes go the
nose of your board follows so it’s important to eyeball your
landing on the lip or real high on the wave face.”
Gerr says you’ve got to remember to straight your legs coming
into the lip, bring your board to your chest when you exit,
straighten a little in the air, and compress to land. And, for
god’s sake, stay over your board.
Tony’s got a few drills, too.
“Skateboarding gives a man a chance to practise ollies over and
over so you develop that muscle memory. Learn proper ollies, and
there’s a ton of YouTube clips showing you how to nail ‘em, on a
head-high quarter pipe with a decent sized coping you really get
that ‘bonk’ wired.”
Bonk? The moment you hit the lip and it pushes
back.
How about the old man’s choice of weapon?
“Real important,” says Tony. “Thickness and width in the tail
makes lift-off a lot easier. The wide round nose template catches a
lot and fishy type boards, twin fins and four fins, tend to make
you surf front-footed which is okay for lateral type airs, but
isn’t conducive for vertical style squaring off the bottom to lip
launch punts. The best airs come when you are feeling that
rail-to-rail carving speed through the contour of the wave and then
you boost.”
Gerr rides a thruster setup with a small rear fin. He agrees
with Tony on board choice. “Quads do great cutbacks, carves,
floaters but only straight airs.”
More than anything, you’ve gotta live airs. Watch footage over
and over, although don’t get all hung up watching someone like
Reynolds or John John. It’ll overcomplicate things.
Know who you should watch?
Kelly Slater, who turns forty six at his next birthday. His
technique isn’t close to Dane or John, or even Craig Anderson or
Creed, but he’s coming from the same back foot era as you. His
desire to succeed, and not technical perfection, is what gets him
through his airs.
And you’ve seen those tens at New York, at Bells, yeah? You
like?
As you learn, as you progress, maybe you’ll see a little of
yourself in the greatest surfer of all time.
Another tip, says Tony, is to “ride logs and stiff single fins a
lot because when I get back on my little board it feels like a
skateboard in comparison. It gives you that fresh lively feeling.
When the board feels like that it feels like I can do
anything.”
Tony says his best air was a Hail Mary frontside 360 three years
ago.
“I was going really fast and just threw everything at a meaty
section on an overhead wave and ended up really high and rotating
super slow. I wasn’t planning on trying to land it but when I came
around I looked down and saw the most pillowy landing and I knew I
was going to make it.”
Inspired?
Or maybe the whole thing just frustrates you?
“Listen,” says Gerr, “they’re just fucking hard. Not hard
technically, just hard because you need to do a lot of ‘em. You
have a have a certain type of wave, a consistent wedge, that you
can go and do fifty of ‘em a day. To think you’re going to pull one
off just once in a while? No way. Those kids, they’re spending
eight hours a day practising them, and then several hours watching
movies of guys doing airs.”
Thing is, says Gerr, “Surfing is something you just can’t force.
If today isn’t your today, maybe tomorrow is. Getting mad isn’t
going to change a thing. Don’t set yourself up for failure by
having unrealistic expectations. Yeah, you’ll learn airs if you try
hard enough. Just don’t panic when it doesn’t work straight away.
Surfing shouldn’t be painful.”
(Note: This story first appeared in issue number 336 of Surfing
Life magazine, which you can buy here.)
But come and revel in a new competition. One built
for you and for me!
Before becoming The Man of the People™ I loved
Stab magazine’s Stab in the Dark featurette. It
was such a simple concept so elegantly packaged. Ten shapers
shaping anonymously for one professional surfer. He riding all then
choosing his favorite. The winning shaper lauded. The losing
shapers shamed.
Then in year two Stab blew its wad and had Dane
Reynolds do it.
This year it was Jordy Smith and while Jordy’s personality
sparkles who really cares what he thinks about surfboards?
Do you? I don’t. His opinion on functionality, hold, rail, curve
etc. doesn’t interest me. A 1% surfer’s critique clanging like a
gong in the ears of the 99%.
Jon Pyzel won for the second time in a row and how much do you
think this irks other shapers? Does he lord his superiority over
them over drinks? He should. The only remaining question I have,
though, is can Mr. Pyzel shape a board for me and for you?
Does he understand the people?
And it is with the humble honor that you have bestowed upon me
as your voice that I announce our upcoming Grit is for
Mark™ competition. BeachGrit will find the most
average surfer in the entire world. Average weight, average height,
average build, average ability with an average name (Mark) and we
will have him ride average off the rack boards in slightly below
average beachbreak.
He will choose the one that allows him to maaaaybe complete his
cutback. The one that allows him to get the tail of his board above
the lip for his flyaway airs. The one that allows him to slip
inside a closeout tube. The one that doesn’t so easily ding when
being wedged into the backseat of a ’17 Porsche Panamera. The one
that gives him a little extra squirt as he is taking off. Enough to
make it up to, but not around, the SUPer dropping in down the
line.
These are the things the salt of the earth need to know before
plunking down their blue-collar dollar for a new surfboard.
Stab can keep its Jordys and advertisers and private
boat trips. BeachGrit doesn’t need luxuriant Macaronis. We
live on the simple bread of the people.
Grit is for Mark™ will premier at next year’s U.S. Open
of Surfing.