Buy low: Surf in Morocco today!

Want gorgeous empty waves? Capitalize on world Islamophobia and score!

The Eiffel Tour stood powerfully in view from my Airbnb. It was lit in the Tricolour of blue, white, and red because terrorists had just fired assault rifles into and blew up 130 people for living free. Drinking if they wanted to, rocking and rolling if they wanted to. The Parisian motto Fluctuat nec mergitur that was illuminated beneath translates fittingly to, “She is tossed by the waves, but not sunk.” The attack happened three days earlier yet sirens still pierced the night. Residents not living by #JeSuisEnTerrasse contemplated never going out into public again. The city was in shock. All my friends in Paris knew victims. My current flat mate – infamous trouble magnet Chris Binns – had been trying to get us tickets for that fateful Bataclan concert. For no reason in particular I instead flew to Berlin hours before to do a strike Berghain dawn patrol. It was one of those decisions you don’t give much weight to that by chance saved us from the guns of jihadist militants.

Before it got morbid, we began this journey in Paris alongside Surf Europe’s gem-of-a-bloke Paul Evans to attend the View From A Blue Moon premiere. After scattering Binnsie and I were now reunited in the City of Lights trying to make sense of the close call. When faced to stand before the mirror of life what can you do except keep living? No point in questioning it. Although rattled by the randomness of fate the reality was that nothing had actually happened to us. That didn’t stop The Sydney Herald from writing about what almost was. Riveting Aussie non-news.

We had to get out of Paris. Belgium was under siege and there was still talk of closing the French borders. Confusion was in the air and there was swell on the way. Decisions had to be made. Being in Europe everywhere is a stones throw away. That’s true anywhere, but especially advantageous in central Europe. Binnsie had his own demons to deal with having just survived a serious head-on collision in the South of France days prior to almost attending the slaughter. His second home of Bali was now on the agenda and a session with a Shaman would be his first appointment. I’d narrowed my choices down to the familiar – Hossegor – or the more exotic – Morocco. The decision was simple; as I’d now be travelling alone… take the unknown every time! A flight into Casablanca was booked that departed in 8-hours. Enough time to pack my Rimowa, sleep a few hours, and sip an espresso avec croissant sur la terrasse.

The North African country of Morocco is 99% Muslim. Who, for fear mongering racists, are on the shit list right now. Any man pairing a beard with Islamic clothing or woman in hijab risks being mistaken for a radical in certain parts of the world. It’s dangerous thinking to lump a small percentage of wacko terrorists to an entire religion. Trump is making headlines for making Hitler-esque claims and continuing his transition to demagogue. The entire situation only seems to be escalating. Shockingly the further he infuriates the rest of the world the stronger his polling gets and the more guns American’s stockpile. It is indeed a strange land.

Thankfully I don’t think like that as I was the only tourist boarding a full flight to Mohammed V Airport from Charles de Gaulle. Much of the tourism to Muslim countries has dropped off since the attacks. Security was increased, but barring Moroccan’s differing outlook on personal space it was a smooth flight. They even clap when the plane lands like in the old days. So cute!

When bouncing around Europe without an itinerary it’s a blessing to travel “carry-on only” light and leave the board coffin at home, but bring everything else. Having a wetsuit, fins, and a leash assures easy access to anyone’s leftovers. In 14 days of mostly hedonistic behavior around Europe I visited 9 major cities in 4 countries. Only one of which was surfed in. Board fees and coffin stress would have been astronomical.

Casablanca sounds like the sexiest place. This is a lie. It’s hard to find a drink and there are too many men everywhere. A mean tajine can be found in the right restaurant though and the Hannan II Mosque is a structure of beauty. The final destination was the wave rich coastal city of Agadir, so I hopped on the first train to Marrakech which lay somewhere in the middle. The intention was a quick breeze through the market there before continuing on, but I was forced to get a hotel near (not in) the prestigious La Mamounia as terror threats meant no short-term luggage storage anywhere. The night was spent in the madness that is the medina and Jemaa-el Fnaa. There were monkeys and snake charmers and mint tea and dates and magicians and thieves and no tourists because they were all scared of Muslims. I was Indiana Jones!

Upon leaving my petit taxi was hit by another, which happens often here. For a population of mostly sober people they drive like absolute maniacs and commonly kill one another. Once in Agadir I rented a car and was now in control of navigating around these psychos. A murdered out Benz passed me doing no less than 170 km/hr on my way north to the dry surf town of Taghazout. I would later have to grease a cop for doing 65 in a 60. Typical gringo tax.

My home was now Sunshine Surf Morocco headed up by the legendary Reda. He’s a killer local surfer that knows all the spots and when the slabs get psycho he pulls out the sponge. Sometimes he flies around the world competing in world championships. Be nice to the boogies because they might save your life one day. There’s more to this region than the Sipping Jetstreams spots and Dane’s cover. Reda made sure we were on them. The first morning we surfed an epic little beachy when a massive caravan of camels strolled through. “That’s a million dollars worth of camel,” informed Reda. Who knew those humped creatures fetched such a sum?

Over the course of the swell we surfed constantly on every type of wave, spear fished our dinner, drank local beers, and OD’d on couscous. The locals are a passionate bunch: overly conservative while changing into wetsuits (so cute!), but aggressive enough to get a massive desalination plant development shutdown that threatened the future of their most iconic wave.

While exploring the Muslim culture there was never a moment of intimidation or fear. I propose that anyone unwilling to open their borders or hearts to those of a different background should book a flight into Morocco – solo and preferably unarmed – to absorb the culture, and gaze upon their perfect waves… but not be allowed to surf them.

 


Craig Anderson label
Welcome Elsewhere is Craig Anderson's first edit since Cluster and culminates in his famous session at Kanduis on his little five-four Hypto Krypto. Edited by Kai Neville, too… 

Craig Anderson talks: New Movie, New Label!

"I want to be motivated by doing things the way I want 'em to be done," says Craig.

Craig Anderson is one of the the most alluring and memorable characters in surf of the last twenty-five years. His extravagant surfing, his brushes with movie star-style fame. (Last February, I watched as a Jew supplicated himself before Craig at the Wailing Wall in Jerusalem; the day before at the Jaffa Gate, American girls had swooned as Craig roared past on a Segway, your reporter in the hottest pursuit!), his dazzling movie roles in Kai Neville’s films as well as his own Dane Reynolds-produced film, Slow Dance.
In November, it was reported, here, that Craig was trying to climb out of his freshly signed $500,000 contract with the bankrupt company Quiksilver (whom he’d been with since he was 10), joining his best friend and creative partner Dane Reynolds, who’d torn up a $4,000,000-a-year deal with the same company. Read about that, here and here. 
And, now, a new film, a new label?
Let’s examine the film, called Welcome Elsewhere, first. It is 12 minutes long and it’ll be loosed online on January 12.
I called Craig at his home in Newcastle, Australia, to discuss. His telephone would pop and fizz and disappear for seconds at a time, often in the most crucial part of the conversation, the gaps filled by the noise of me nervously clinking the ice in my Christmas brandy.
This is what Craig said:
“January 12 seemed an appropriate day to drop an edit. I’d been working on it for a few months, then I ended up parting ways with Quiksilver so January 12 seemed a good enough day for a fresh start. I always have trouble with letting things go and letting ‘em out into the internet space.”
This is the first time you’ll have seen Craig since Kai Neville’s Cluster (Craig’s section was Kai’s favourite) and the year before’s Slow Dance. It culminates in that now very-famous sequence at Kanduis, in the Mentawai islands.
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“I finished Cluster at the start of this year and I didn’t feel like filming for a couple of months. Then I went to G-Land for (Newcastle legend and Grajagan pioneer) Peter McCabe’s sixtieth birthday. I was gonna go home and then I saw that Indian Ocean blob and I got Kai Neville to come and film.”
Is there a narrative to Welcome Elsewhere or is it a compilation of random clips?
“Just a bunch of clips. Just a fucking 12-minute surf film.”
Welcome Elsewhere has already premiered in Brazil at the Mimpi surf skate film festival, in Porto Alegre and Rio de Janeiro. But I’m guessing you missed that.
It was amazing to ride for Quiksilver, they were lenient with me and let me do what I wanted to do, but the emotional connection has been lost a little, with Kelly leaving and so on. I look at Quik in the eighties and nineties, the team, the soul of the company, it was what I wanted to be a part of . All the product, everything, was super amazing. Nowadays, in my opinion, the soul isn’t there. So we want to start something that’s true to us, with products we believe in. To be motivated to do fun, cool shit.
And, so, in two weeks, you’ll find it on Craig Anderson’s personal Vimeo account, perhaps guided there by the embeded file in aggregative surf websites.
“I’ve never put anything out on my Vimeo account before, never on my own back. I’ve only ever worked on bigger projects with Dane and Slow Dance and Kai and all his films, now it was time. Even though this was edited by Kai and filmed by a bunch of different guys, I’m going to rev up my Vimeo and hopefully drop clips every six or 12 months.”
And the clothing label? Maybe with Dane Reynolds?
“…oh…that…”
Yeah…
“There’s not that much movement. It’s an annoying time to try and start something. Everyone’s off holidaying. I want to start fresh, get the wheels…”
Secrets are exciting, don’t you think?
“Yes they are, they build anticipation. But I was going to say, everything’s still early days. Stab did that piece that was… a sort of rumour mill, but there was a little bit of truth to it. (Dane) Reynolds is the driving force, the CEO-type behind the brand. We’re going to wait and do a nice release. Keep some shit on lock.”
Will you be US or Australia based?
“Oh shit, don’t write too much. Keep it to the edit. We’ll come to you first.”
Why start a label?
“I just feel like that at my point in my career, I want to be motivated by doing things the way I want ’em to be done, as we as friends want to do it. It was amazing to ride for Quiksilver, they were lenient with me and let me do what I wanted to do, but the emotional connection has been lost a little, with Kelly leaving and so on. I look at Quik in the eighties and nineties, the team, the soul of the company, it was what I wanted to be a part of . All the product, everything, was super amazing. Nowadays, in my opinion, the soul isn’t there. So we want to start something that’s true to us, with products we believe in. To be motivated to do fun, cool shit.”

Are you worried about not get a regular cheque? Or are you carefree, weightless?

I feel like everyone was telling me not to take the leap of faith, but how could you not with the people involved and the idea behind it all? I mean, who gives a fuck? You only get one shot at this career.

“Totally! I feel like everyone was telling me not to take the leap of faith, but how could you not with the people involved and the idea behind it all? I mean, who gives a fuck? You only get one shot at this career. I wanna look back when I’m forty and be proud of what I’ve done in the industry. I want to take a chance…”

Tell me about your relationship with Dane Reynolds.

“He’s like my big brother. I’ve got a lot of people around me that I look up to. I’ve got a lot of people I’m close to who I think are amazingly creative and talented and Dane’s one of those guys. We’re both seventh of September Virgos. It’s an interesting dynamic. He helps me and he supports me with everything. I’m bad at making decisions, he speeds that up. We’ve never got into an argument and we’ve always been able to see eye to eye. There’s no agonising between us. Only a mutual respect.”

Blood Feud: Schroff vs. Hayden!

Oh but let's just please go out for drinks instead!

A good blood feud sizzles. The aggrieved parties stand across a ballroom from each other, Hawaiian shirts unbuttoned one extra button, ready to dance (Surfer vs. The Intertia) or across an ocean smashing their thumbs into social media accounts/freestyle rapping (Jay Alvarrez vs. Ethan Carlson).

This here ain’t one of those and I will use this bully pulpit to try and end it, bringing peace to our surf world once again. But first, let me catch you up. Peter Schroff is an iconic southern California surfboard shaper/artist from the 1980s. I have never met the man but remember another iconic Peter, Taras this time, showing me Schroff Surfboard advertisements in old issues of Surfing magazine. They soared! Black and white, edgy, funny, amazing. The logos were better than I had ever seen in surf.  I couldn’t believe, in fact, that I had never seen before and I also couldn’t believe that no one was re-creating that look today.

Schroff had disappeared, I was told, and doing other things outside of surf. But then in 2010 he came back and his boards still look like works of absolute art and his graphic design is very very on point.

Hayden Cox is a very handsome young man and sits atop a nouveau surf empire. Hypto-Krypto, baby. Craig Anderson rides his boards and they are not just boards but technological patented things. Hayden also has a fine eye for design.

Just look at his new shop here!

Now. Schroff claims Hayden uses one of his logos for his new wetsuit line and Schroff is very very very angry, filling his entire Instagram account with daggers/hashtags aimed at the young man.

He criticizes Hayden for the artistic theft, sometimes poking fun (like drawing the Apple logo and the Nike swoosh and saying that he came up with new ideas for the line) sometimes angry, sometimes honest, telling one of his followers, “We cud give a flying horse shit if someone used it in another field than the surf industry, sweetheart, in fact Photo Impact studios used it in the 80s and we had no issues. All HS have to do is stop using, apologize & carry on. We only slam folks that ask for it, we got better things to do.” Before jumping on a “made in China” screed.

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Hayden, for his part, has taken the dignified path, refusing to respond.

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And, gentlemen, if I may…

Crusty, low level, hashtag rage is unbecoming dear Peter! It belies a bitterness that we have all seen on our grandparents and thought, “Yuck! Never me!” But somehow most old people slip into it like comfort shoes. I’m not saying you are bitter I’m saying you look bitter and sometimes looking bitter is worse.

Quietly pretending there is no issue is unnecessary dear Hayden! Your wetsuit logo, which, let’s concede, is more a graphic than a logo for it is a limited-run of suits not necessarily created to make buckets of money, does appear similar to Schroff’s design even though you could be (and are!) forgiven for thinking horizontal lines are probably not patented.

Look at the sunglass label Sabre. They too like lines!

sabrevision

But please, please don’t just change it and carry on. Use this opportunity to do a collab maybe with Peter. Dig further into his archive, make something together! I’m telling you, there is gold in them hills!

Let’s all three of us go out and get some drinks! The first three rounds are on me! Let’s laugh and toast a brave new future! Let’s all let it go, let it go! We can’t hold it back anymore!

Oh! And here’s stripes from 1915! A very early Schroff piece?

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P.S. You are both welcome to use our Bitchy Crab.
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Deliriously happy!
Deliriously happy!

2015: Surfing’s Dead-Ball Era!

Did we just live through the most tedious year, ever, on tour?

There were two stories I spent most of 2015 waiting to write. The first, Brazilian Storm Downgraded to Drizzle, was mainly based on the fact that I think that’s a clever title, and I honestly thought that they’d falter and drop the ball mid-season.

But in the end Brazil ended up with more top ten surfers than any other country, and variations on the title don’t really work. Brazilian Storm Upgraded to Hurricane sucks.

For those of you who don’t know much about professional baseball, and I’m assuming that’s the majority of our readers, the period from 1900 until 1919 is known as the dead-ball era. The near twenty year span was marked by low scoring games, a heavy emphasis placed on stolen bases and hit-and-run strategy. The then-rules, combined with equipment limitations, encouraged a slow and steady approach, chipping away to victory.

At first glance, surfing and baseball have almost nothing in common.

Surfing, as an activity, excels when removed from a competitive framework. You may see flashes of brilliance during a heat, but the very best performances, without exception, spring from free surf sessions. Baseball, on the other hand, doesn’t exist outside of the competitive arena. Without an opposing team you’re just playing catch, or swinging away at the batting cages. Fun? Maybe, but not baseball.

However, they’re very similar in that they are long, often tedious, affairs, and to all but the most devoted fans are best delivered in the form of fifteen minute long post event wrap-ups. Waiting, waiting, waiting, a few seconds of action, more waiting, waiting, waiting.

Boring stuff, by and large.

Not that it matters to competitors. Those that win know that there’s only one thing to worry about, winning. Dead-ball era players knew their near unhittable spitballs and bunt-and-runs were awful for spectators, but that was for management to worry about. The coaches and players were obligated to always strive for victory, and intelligent strategy forced a certain approach. Rules are rules, once the teams had an effective strategy dialed they had absolutely no incentive to change. Empty platitudes aside, it’s only about having fun when you’re an amateur.

The top two surfers on the tour, De Souza and Fanning, figured out the rules, knew what it took to win. Unfortunately for us, the viewers, what it took to win was technically perfect, totally uninspired surfing. Outside of a heat I think it’s an easy statement to claim that Fanning is the superior wave slider, but once the horn sounds they step into the same role. Link the turns together, don’t fall, bonk it at the end. Tens may win heats, but consistent sevens win titles.

Which brings us to the end of 2015, the year that dead-ball came to surfing.

The top two surfers on the tour, De Souza and Fanning, figured out the rules, knew what it took to win. Unfortunately for us, the viewers, what it took to win was technically perfect, totally uninspired surfing. Outside of a heat I think it’s an easy statement to claim that Fanning is the superior wave slider, but once the horn sounds they step into the same role. Link the turns together, don’t fall, bonk it at the end. Tens may win heats, but consistent sevens win titles.

Interestingly, if not surprising, though DeSouza finished in first, he has the lowest average heat total of ‘CT top five. Despite hype, the year is a grind, and ADS had the best mill stone around. Combined with his stereotypically Brazilian gamesmanship it should have come as no surprise when he landed on top of the podium.

Fanning looks like what he is, a world class surfer, arguably one of the greatest of all time, approaching the end of his career. He can’t play the high performance game at the same level as the young ‘uns. What 34 year old could (not counting Slater)? So he takes the same tack as De Souza, albeit one that’s stylistically better. Link your turns, keep the board in the water. Surf to win, not to impress.

An experienced surfer understands how difficult it is to surf like ADS and Fanning. Surfing well, and not falling, is insanely difficult. More difficult, without a doubt, than hucking huge hail mary airs and hoping for the best. But it just isn’t engaging.

As a fan of professional competitive surfing (which I most definitely am, constant WSL criticism notwithstanding), I’d much rather see John John do two amazing turns and fall on the end section than watch either of this year’s top two whack the lip twice and toss a floater for the score.

Dead-ball baseball came to an end with a series of rule changes (such as outlawing spitballs and counting the first two foul balls as strikes), equipment changes (corked center balls which were replaced more frequently) and a reactionary adjustment to tactics. Stadium dimensions were changed, and power hitters, beginning with Babe Ruth, started hammering balls out of the park. Scores were higher, the game became more exciting.

Unfortunately, surfing isn’t so easy. The equipment is great, hard to imagine better. The venue is a constantly changing nightmare. It’s impossible to be provide truly objective scoring without reducing the sport to a figure skating style ritualized dance.

But, still, adjustments can be made. It’s easy to cast judgment, but to do so without offering an alternative is straight up weak shit.

Fuck objectivity. Judges should score based on what they, personally, view as superior surfing. Certain judges will reward certain surfers, but the beauty of averaging scores should smooth out any edges.

Isolate the judges. Noise canceling head phones, a separate feed for each to watch, a partition between them. Easy stuff to implement.

Identify the judges. I understand a reluctance to name people, it’s 2015 and the internet is a mercurial bitch. Simply assign each judge a number, report each number’s score, allow viewers a chance to track said scores over the course of the year.

Fire the entire judging staff, hire some fresh faces. While internet conspiracy theories are fun, I don’t believe there is any actual collusion. However, weird shit goes down, sometimes, and surfing isn’t great at holding people accountable. Like back in ’93, when Renato Hickel, current Tour Manager, served as head judge while dating Lisa Andersen on the side. A gross conflict of interest, one which should have seen him drummed out of the sport.


Shhhhhhhh
Shhhhhhhh | Photo: Scully or Mulder

Conspiracy: Google Exec throws smoke!

Are the tech powers trying to keep Jaws all to themselves?

Does the Jaws big wave competition still rattle in your memory? Those towering waves and brave conquistadors! Billy Kemper won the event with his great friend Albee Layer coming in second and both are from Maui, which stands to reason because Jaws is also on Maui.

But where, exactly? Do you know? Do you know where to launch your ski, say, if you had a hankering for some plus-sized bombs and didn’t have the mojo to jump from the rocks?

Well, there is a conspiracy floating around that Google is trying to keep it a secret! A Google exec, see, has recently moved to the valley isle for its beauty but also its tech potential. His name is Jamie Dinkelacker and he is a higher up engineer who, possibly, overseas the Google Maps division. But is he also a big wave cowboy? A man who lusts for the thrill?

On some of Google’s maps, you see, the boat launch one uses to set out for Jaws is obscured by an ugly grey box! And oh how the wheels of sedition turn! The Internet lit up with some accusing Mr. Dinkelacker of purposefully locking the information away as to deter all those hopeful kids with 8’10 surfboards in their California garages and dreams in their hearts.

Like most conspiracies, though, this one is full of holes. Too many to list here.

Do you want to surf Jaws? I know where to launch a ski if you do. Call me on your burner phone and we’ll whisper a plan.