The most insightful review of everyone's favorite surf movie!
Before I go into my review of View from a Blue Moon, I think it’s only fair to disclose the biases I bring with me.
I’m so fucking over shots of beautiful scenery. Been there, done that. I understand that the vast majority of the world is stuck in lives of quiet desperation, city-bound, struggling to scrimp and save so they can one day visit a humid warm land where the trades leave salt crystals in your lashes and everyone is baked a latte brown by a friendly sun. But that’s my day to day.
I’ve seen the sky explode in a riot of color over the ocean more times than I can possibly count, enjoyed every shade of vivid green you can possibly imagine. Crystal clear reefs or cold water kelp paddies, waves crashing on jagged lava rock, mossy boulders, lapping gently against the shores of white sand beaches that stretch as far as the eye can see. People talk of being high on life, I’ve been privileged enough to build quite the tolerance. It’s the main reason I enjoy playing tour guide when people hit the island, it often takes a fresh pair of eyes to kick me out of my own jaded torpor.
So a lot of the film doesn’t resonate with me. Artfully composed, perfectly framed, wonderfully colored, it doesn’t really matter. I’m not the best audience for that kind of thing.
While Kelly Slater is the greatest surfer who’s ever lived, it’s become apparent that John John Florence is the best. Never before has a single surfer dominated every possible ocean condition with the style and aplomb that Florence does. Due to his amazing skill, and apparent total lack of regard for his own safety, View from a Blue Moon contains what may be the highest volume of mind blowing surfing ever stuffed into a single video. Every single aspect of JJ’s game is so high it may as well be a totally different sport than whatever the hell it is the rest of us do in the water. It holds some pretty heavy ramifications for the future. Thousands upon thousands of little sun burned groms are watching his every move, and he’s the level to which they’ll aspire.
I went into the film with the misconception that it would be about John John, rather than star him. I thought it would give some sort of insight into his life, show a little about what makes him tick. Introduce some humanity to leaven his super human ability. It does not, or, at least, I don’t believe it does.
No one’s life is perfect. We all struggle, mourn, crave something always out of reach. To be sure, JJ got pretty lucky. Loving mother, caring brothers, an unbelievable home in one of the best places on Earth. But he’s not alone in his possession of those things, plenty before him have been blessed with the same and still crashed and burned into lives of addiction or failure or just plain old mediocrity.
It’s easy to write off his ability at a young age to natural talent, but that belies the fact he’s spent his entire life in waves of consequence, and no one gets this good without caring so much that failure could crush their soul.
Slater’s spent the last few decades living a similar trip. Everything real kept private, a public persona that shows a driven man, but not a haunted one. And I find it hard to believe that anyone with the insane drive that Kelly has is truly happy with himself, all of the time. Or even most. Self-loathing is a powerful motivator, the absence of a father figure has a profound effect on a worldview. Cracks in that facade seem to be finally showing, as though, after all these years, the mask doesn’t fit so well anymore.
I wonder about John John Florence. I wonder what drives him to try so damn hard. I wonder about the times he hates his own reflection. I wonder about Alex Florence, whether she worries for her sons’ safety, in the water when they play, or in the world as they travel. I wonder about Nathan and Ivan, growing up in the shadow of an older brother who’s fame seems doomed to eclipse anything they ever accomplish. I was really hoping View from a Blue Moon would shed some light on those topics. But it does not.
In the end, View from a Blue Moon is probably the best surf movie of all time, but it just isn’t my favorite.
Why choose? I love both View and PM. Fuck, I really liked Cluster too. John’s music was far inferior to those, but still better than I expected it would be. Nothing is ever as good as the hype leading up to it.
On a similar tip – I watched part of The Search II (the first surf movie I ever owned), and could barely see the screen through my cringing eyes. Nostalgia is garbage.
Personally, I find JJF both fantastic and fantastically boring.
pretty fucking mind blowing at Sunset right now though eh?
I watched VFBM last night and I won’t watch it again. I enjoyed it but awful music, not insightful, very uncreative, and too cleanly edited. Disappointed. I’ve watched Psychic Migrations six times now.
I dig your opinion. Beautiful and sterile. They showed perfection but, in the end, perfection is boring, lacks life. The real beauty is in the cracks. Probably that’s why JJF is failing at the CT, he is not showing his cracks.
showing his crack. giggle.
nah, he’s failing because he forgets to catch waves.
Rory your repeated assertions that your life is better than your reader’s is inconsiderate at best.
But, then again, if you don’t live here you’ll never know that you are probably missing something in your analysis.
Does that not prove inconsiderate, to believe that being wherever you have decided to be is a place better than where every other has decided to be?
Eh, my experience living in Hawaii for 3 years was that it looks a lot better on screen than in reality. Definitely beautiful, but in general the waves are rawer, the trades stronger, the vibes harsher than how it gets portrayed. After a couple months of 20 knot winds with nary a glass off, trapped on a little island, the magic can get lost…
If it makes you feel better, I still hate myself a good 20% of the time.
I just used a lemon shower gel and now i spell like a clean toilet. thats how good i can get.
That’s it? 20%? Recipe for mediocrity…
I know, right?
For what it’s worth Hemingway was probably only 40%.
It’s all a matter of taste in the end. Just watched Psychic Migrations, after Gold.
Gold I found a total cringe….no disrespect to SS, if he can ride the gravy train then good on him but after watching that I just thought pro surfers should stay the fuck away from acting.
PM’s on the other hand was just a fucking fantastic audio visual surf movie that blew my mind and made me immediately want to go surfing, which I did. But I’ll psych-out to Ryan Burch all day every day.
Maybe that interiority you suppose for the Florence’s just doesn’t exist Rory? Maybe they really are the perfect surf family? Nah, you’re probably right but I don’t really give a shit; I’ll skip the palm trees, sunsets and drone shots and dig the surfing of JJF while he can still walk.
is ryan burch handsome?
bit horsey for my taste.
Depends which part of him is horsey
i’ve had more than enough of the JJF Hype Train but it sure looks like some fairly ridiculous surfing, very keen to check it out
Hi Rory. Longtime fan, first-time caller. If you ever get a chance, watch Cheyne Horan’s doc “Scream in Blue.” Kind of the opposite of Blue Moon. Filmed on the downslope of Cheyne’s career. Not a lot of great surfing, but pain and failure and struggle and . . . reality. Its a weird and wonderful movie.
Definitely want to see that. Can’t find anything online though.
So Matt, what is the process to decide when Rory is worthy of a spot in the EQS?
I assume I have to actually accomplish something noteworthy, beyond pumping out a bunch of self indulgent essays about my weird pseudo hermit lifestyle.
EDIT: I got second to last place in my first heat of the last Pipe bodysurfing contest. Does that count?
Look, if he lets you in now, the bar is truly low enough for a future inclusion of one of the surf worlds most notorious keyboard warriors…
which one is that Neg? Your mate at Stab?