Baja locals build monument to American and Australian surfers savagely murdered last year

Jake and Callum Robinson plus Jack Carter Rhode memorialized.

One of the more heart-wrenching stories, from last year, was the grisly murder of Australian brothers Jake and Callum Robinson and their American pal Jack Carter Rhode. The three had traveled to northern Baja, just a stone’s throw over the border from San Diego, on a classic surf jaunt.

Days after disappearing, their bodies were found dumped in a well.

Three Mexican nationals were arrested for the crime, allegedly attempting to steal the tires off the surfers’ pickup first.

Well, the local surfing community just unveiled a very handsome monument on the bluff overlooking the wave where the three were camping.

Antonio Otañez, president of the Baja California Surfing Association, shared with Fox News, “(The slayings made us very sad. In all the world we have a brotherhood with surfers, so we want to honor our brother surfers from Australia and the U.S.A. that’s the least we can do.”

The memorial features three statues carved from oak, around six feet tall, standing on a bluff, gazing inland.

“For the design we put the two brothers together,” Otañez continued, “the Australians, and the American just off to the side, they’re made out of wood because of the weather and everything, that way they will be here forever — I’ve been coming here for 30 years, I’ve brought my wife, my daughter and friends and we have always been safe here.”

The dedication ceremony was attended by surfers from both sides of the border along with representatives from Australia’s Mexico Embassy and was followed by a paddle-out.

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Transgender surfer Sasha Jane Lowerson reveals stunning new look.
Sasha Jane Lowerson on the streets of Paris.

Transgender surfer Sasha Jane Lowerson reveals glamorous new look and pivot to Only Fans

“Gothic beach babe ready to bring your fantasy videos to reality.”

The inspirational transgender surfer Sasha Jane Lowerson, formerly known as longboard champ Andrew Egan, the former long a favourite on these pages for her relentless war against bigotry and fear surrounding gender identity, has revealed not only a stunning new look but, also, a pivot to online porn.

On her new Instagram account, the previous one being deleted “after a TERF came into my space throwing shade all over the place and getting my main adult content page deleted”, Sasha is photographed in a variety of sultry poses on the streets of Paris, her outfits leaving little for the imagination to decode.

The messages are simple.

“Want a taste?”

“World you like a taste of my pie?”

And, now, for as little as $12.44 per month, Sasha’s fans can access twenty-six racy photos and twelve videos.

Surfer Girl by day, Porn Star / dominant and alternative model of your wildest fantasies by night.

Come and join me on my journey of starting to create adult adventures as I become the goddess of your dreams or nightmares, you choose

Kink friendly seductive mistress.

Gothic beach babe ready to bring your fantasy videos to reality.

Sasha jane lowerson pivots to only fans.

A separate link takes the fan to Amazon where he, or she, they etc, can buy Sasha pretty things including a latex catsuit for $398.12 and a pearl necklace that will give you one dollar back for your generous five thousand gift.

Two years ago, the World Surf League opened the door for transgender women to compete at the highest level despite Kelly Slater arguing for a “trans-only division.”

A few caveats.

You had to’ve been a gal for at least twelve months and your male hormone levels gotta be real low ie less than 5 nanomoles per liter continuously for the previous 12 months (biological men hover between 10 and 35, bio-gals under three), although the WSL said it wasn’t testing, instead relying on each athlete to supply their own supporting documents.

Sasha Jane Lowerson remains unsponsored despite her success and high profile within the sport.

Help a gal out and get a little something in return. 

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Jordy Smith (pictured) after Margaret River win. Photo: WSL
Jordy Smith (pictured) after Margaret River win. Photo: WSL

Jordy Smith heads into back third of season number 1 after Margaret River win but is he title favorite?

"Not for my money."

I have returned from Jura safe and well.

Unlike Orwell, whose lungs were consumed by The White Death.

Or the unfortunate runner who fractured both femur and fibula and was carried through mist and mountains on a stretcher because the helicopter couldn’t land.

The weather was grim. Not cold, but visibility of perhaps five metres. Bodies poured through the fog like a zombie hoard. Winds gusted to 50mph and more on the summits. Enough to knock you off balance in places where a loss of balance might mean loss of something much greater. The scree chutes were immense funnels that shifted like liquid beneath your feet.

Once, shouts of ROCK! ROCK! from above had everyone gasping as a boulder the size of a football materialised from the mist, careening past our ears then shattering somewhere far below.

I completed the race in a shade under five hours. The badge of honour is sub-four, for which you’re awarded a whisky glass. Finlay Wild, the subject of my book, won for the sixth time in seven attempts in 3.07.16. His record of 2.58.09, set in 2022, is unlikely to be beaten in this lifetime or the next.

The Jura Fell Race is iconic in UK mountain running. The island is awkward to get to, with the only direct boat being a small tourist craft that takes a handful of foot passengers and only runs in summer. There’s a hotel, a distillery, and a small shop, all on the shoreline where the boat lands and the race starts. All the runners camp on the field between hotel and sea, and everyone is there for the weekend, regardless of weather.

There are no frills, you understand it’s going to be uncomfortable, but it feels real. A world away from the glamour and hyperbole of nearly all other sports. No-one boasts about their times or embellishes their experience in the pub afterwards. There’s no need to. We’re all out there together.

It was in this context that I returned home to watch the finals of the Margaret River Pro, which in the end spread to two days. There was no consequence here. Just WSL gloss to make up for it.

It was not The Box any longer. Not those gravity defying heaves over the ledge and into oblivion.

Nor was it the double-overhead walls of Main Break that invite scything rails and end sections opening up to be smashed like the plumped pink fleshy parts of an animal in season.

All we had was a fading south swell, solid enough for quarter final match-ups, then woefully inadequate for semis and final the next day.

Joe Turpel glossed like only he can. He rode the crest of caffeinated verbosity like never before. Nonsense followed nonsense. Superlative followed segue to non-sequitur. Then back again. An endless splurge.

Here, in its breathless entirety, please examine this verbatim excerpt from the quarter final between Griffin Colapinto and Leo Fioravanti:

There’s that unscripted type formula from Griff adding some extra excitement to that end section but dealing with some big wipeouts seems like he’s always pretty comfortable in heavy water it always appeared that way when he made those early trips to the north shore some of his best friends in the world are part of the Moniz family like Seth they push each other a lot heavy water conditions Backdoor and Pipe you could make a surf movie with all the clips he’s had out there in his lifetime a Triple Crown champ almost accidentally when he was shadowing Kolohe Andino that winter season that’s that type of X-factor feel that magician that he can really attach to a feeling that he’s got he got so into trying to understand that feeling he got deep into meditation started going on retreats with Dr. Joe Dispenza and it wouldn’t just be him, he’d bring Crosby, Jett Schilling, Alex Schilling, a lot of the crew from San Clemente to see what they could create and manifest in their life Griffin’s been doing that well the last couple of seasons on tour. Numbers in for Griffin’s last, the 4.33, the last for Leo 6.73. So, Fioravanti out front with priority, Griffin now needs a 9.4.

You know who’s got that X-factor feel that magician that can really attach to a feeling, Joe?

You do.

Except the feeling is like being trapped in a giant biscuit tin full of gravel which is rolling down a hill.

In spite of Turpel, there was a smattering of fine surfing in the quarters.

Leo Fioravanti looks spunkier than ever this season. He has the loose hips and swagger of a fourteen year old who’s just delivered a wild fingering to a girl several years his senior.

And so he should. The 9.00 to begin the match-up with Colapinto was the digestivo at the end of a magnificent Margarets performance. With a solid back-up and a 15.73 total, he would’ve won every other quarter but this.

Unfortunately, Colapinto, needing a 9.40, launched a huge rotation from the end section and garnered unequivocal ten points from all judges. Few voices would dissent.

“When I landed, it took me a while to realise this was real life”, the homeschooled son of a wealthy Californian contractor who’s spent his entire life surfing around the world, said.

Connor O’Leary vs Barron Mamiya in the next quarter was mostly dull. O’Leary caught a wave at the beginning of the heat in deteriorating conditions, then sat for half an hour in a heat that foreshadowed what was to come the next day. With 40 seconds left, he took his next wave, but it was a dud. Victory Mamiya by virtue of four mediocre waves.

Turpel droned on.

Crosby Colapinto bested local boy Jacob Wilcox in the next, but I can’t recall a single memorable thing about it.

Richie Lovett chirped about how the younger Colapinto has all the tools in all conditions, will make a run at a title sooner or later, etc. But I can’t see it. Something about his surfing passes through me like a zephyr in a pine forest.

Jordy Smith continued his march to victory and world number one by ending Imaikalani deVault’s almost-hero story in the last quarter final.

It’s true that deVault illustrated a style at Margaret River we’ve not seen too often from him. But his smoothness was a scribble too late. Ta-ta, we hardly knew ye.

Which was all a precursor to the next day for semis and final, in a further fading swell which was insufficient but necessary on the last day of the waiting period.

In the first semi Griffin Colapinto took on Mamiya. What a battle this would’ve been at The Box or such like. As it was, the best thing about it was the furious (but unnecessary) paddle battle in the opening seconds.

Colapinto notched two mid-range scores early, then creased his board. He was to catch no more waves, but they were enough. Mamiya could not eke the scraps from the gutless swell.

In the opposite semi, the younger Colapinto took on froth juggernaut Jordy Smith.

The heat was restarted owing to lack of waves. Colapinto sat for the best part of an hour before attempting a wave. It came with less than ten minutes left. There was no other.

Smith, on the other hand, frothed his way to victory, finding pockets of power where there were none, and even going left.

The final was dire.

Just three waves were attempted. Two to Jordy beats one to Griffin. Not a final for the ages.

Over two heats, in an hour and ten minutes of surfing, Griffin Colapinto only paddled for three waves. That, you might unequivocally say, is uncontestable.

It was a sharp return to earth for the WSL and its fanbase. A flaccid ending to the vaunted Aussie Treble.

The saving grace, if you need one, is that Griffin Colapinto and Jordy Smith were arguably the correct finalists, and that Smith’s earlier performances when the waves were meatier probably deserved to edge it overall.

So, Jordy Smith is your world number one.

Are vibes high?

Under the old scoring system he’d be a solid bet to take the title. The next three events – Trestles, Rio and J-Bay – are all comps he’s won in the past, albeit a decade or more ago.

But to take it out in a one day event in Teahupo’o?

Not for my money.

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Kelly Slater (pictured) being uncomfortably normal.
Kelly Slater (pictured) being uncomfortably normal.

Greatest ever athlete Kelly Slater stupefies surf fans by delivering “bizarrely natural” answer to loaded question!

That's all?

No surfer in history has ever held the spotlight like Florida’s Kelly Slater. The generational talent burst upon the scene some multiple decades ago as a surfboard flicking wonderkind before showcasing a cutthroat competitive vein, uncanny tube ability and penchant for engaging even the most meaningless social media commentators in full battle. 11 world titles, countless magazine features, celebrity pals and a Chinese girlfriend later, surf fans expect, nee demand, unique takes on geopolitics, medicine, astronomy, mathematics, child naming from the greatest to ever do it.

Understandable, then, the massive confusion when Slater appeared on the Everyday Athlete Nation podcast in order to share why he took a three year hiatus from professional surfing after winning his sixth title in 1998. The host, teeing up that exact year in his humblebrag intro, began, “It brings up a good a good question, man. I believe it was ’98 because that was the year I joined the Marine Corps, you stepped off tour, man for two, three years?”

Slater confirmed three years and the host continued, “Can you give me the reasoning behind that? Was it all, everything that came with the tour? The pressure, physical and mental, everything and you just needed a break and was that a time in your life that you absolutely valued?”

Surf fans on edge of stools, waiting for some epic twist on “The Truancy” left scratching heads when the 53-year-old delivered an answer so normal, so natural, as to be bizarre.

He was simply tired of surfing contests having done without break for 43 years. Nothing else added. Just “burned out” on contest surfing.

Makes a lot of sense.

Too much sense, in fact.

Thoughts?

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Jack McCoy, surf filmmaker hall-of-famer, dead at 76.
"Whatever Jack was doing —he'd just tractor-beam you. He'd just pull you in. He was a force of nature. He was a huge bastard at times too, but I don't anybody, in any field, does as much or as well for as long as Jack did without being a bastard." | Photo: Art Brewer

Warshaw on Jack McCoy, “He stayed in the game longer than anybody and looked like Magnum PI while doing it”

"Jack McCoy was a leaner meaner version of Tom Selleck, with an amazing voice, and unlimited confidence and ambition."

Jack McCoy died yesterday, a couple of days after wrapping up a thirteen-city tour of his documentary Blue Horizon.

Each show included lengthy post-show question-and-answer sessions with Jack McCoy and the film’s star Dave Rastovich, McCoy delivering surf culture artefacts one after the other, a legacy of him being the creator of what would become folklore.

Want to know who fed Mark Foo the line “Eddie Would Go”? Jackie.

Matt Warshaw knew Jack McCoy, as did most in the now-disappeared print media, but Warshaw’s historical breadth brings a deeper take on McCoy.

This email exchange took place the day after McCoy’s death at 76.

BeachGrit: Man, I went to the Blue Horizon screening a little over a week back. Had to race home after the Q and A for what was a frivolous family matter, so didn’t get to press Jackie’s flesh, thank the big guy etc. Spoke to him a fair bit over the last couple of years. Seemed in a hurry to get his work recognized again. Now, I can understand why. 

Warshaw: Jack didn’t avoid talking about his health, but didn’t lead with it. I don’t remember exactly when he told me his lungs were scarring over. Maybe ten years ago. But I very much recall him Skyping me, shirtless, always shirtless, and before getting into whatever the business of the day was he’d be saying how much better he was doing. In other words, his condition was basically getting worse the whole time, but he never didn’t say he was feeling much better than he’d been feeling recently, and then it was straight into whatever the new project was. Jack always had at least three or four irons in the fire. He was working on a documentary about Val Valentine, a long-forgotten filmmaker and character who lived on the beach at Sunset, Val’s Reef is named after him, and I suppose that’s never going to come out now, so add that to the loss column.

From a historical point of view, McCoy had a remarkable body of work, from Tubular Swells and Storm Riders through the Billabong films, Challenges etc. You describe him as a masterful filmmaker in the Encyclopedia, but he’s more than that, wouldn’t y’say. Culturally, he was a titan.

I posted a clip yesterday of Jack doing the on-camera narration and voice-over for the Quiksilver VHS doc on the ’86 Eddie. He holds the screen better than any of the surfers he interviews. Jack looked like a leaner meaner version of Tom Selleck, spoke well, amazing voice, and above all had unlimited confidence and ambition. Whatever Jack was doing, whatever the project, whatever he was focused on—he’d just tractor-beam you. He’d just pull you in. He was a force of nature. He was a huge bastard at times too, but I don’t think anybody, in any field, does that level of work, quality-wise, for as long a time as Jack did, without being a bastard. I remember Munga Barry saying something about how, if you were on a boat trip with Jack, it was half surf trip, half boot camp. He never stopped working. Shoot, re-shoot, try a new idea, try again, keep going, just non-stop. Jack would turn a surf trip into a 10-hour-a-day job, and Barry said he hated it while it was happening, then the film would come out six months later and it would all make sense.

List your favourite McCoy films, one through five, an essential primer for those who came in late.

1. Tubular Swells (1977)
Nobody my age would choose different, I’m guessing. This is an amazing and pretty much forgotten film. Jack had a really good ear, and I don’t know if it was bootlegged or legit, but the Tubular Swells soundtrack is full of tracks that us ’60s and ’70s kids will hear on our way to Heaven: Santana, T. Rex, Temptations, Wilson Pickett, Allman Brothers, on and on. Free Ride came out the same year and got way more attention, but Tubular Swells is actually more fun to watch. Narrated by Jack. too. Dick Hoole, it has to be noted, was Jack’s filmmaking partner at this time, and contributed in a huge way. But even that’s to Jack’s credit, he was fantastic at finding the best people to work with, that was as much a career hallmark in fact as the gorgeous slow-motion water footage he was famous for.

2. Blue Horizon (2004)
If Jack really did know he was heading for the door, and picked this film as his outro, that makes a lot of sense. He was at his peak as a filmmaker in the early 2000s, and of course neither Andy Irons or Kelly Slater have faded from memory. In other words, if Jack had screened Tubular Swells last month, he’d be doing an oldies set. Blue Horizon came out in 2004 but looks and feels contemporary. Jack was 76 and in a wheelchair when he came onstage after each screening last month, but he looked and sounded contemporary.

3. A Day in the Life of Wayne Lynch (1978)
The first great short surf film, just 15 minutes long, opens with Wayne in Sydney competing in the ’78 Surfabout, interviewed on the beach there wearing a competitor’s tee-shirt, even. Lynch finished runner-up that year to Larry Blair, but you can see he’s basically on a business trip there at Narrabeen. He can’t wait to leave. Next thing, Jack takes up straight up the coast to Victoria, and everything about Wayne’s life is so different from the pro tour hustle. Wayne was Rasta 30 years before Rasta—except being “soul” was not in itself a career choice, it was just was and still is Wayne’s life. 

4. Bunyip Dreaming (1991)
Jack and Billabong had a long-running and I think wildly beneficial to all partnership. Everybody came out ahead on this deal. I don’t know how many promos and shorts and whatnot Jack did with Billabong; maybe 10 or 12? Bunyip Dreaming is my favorite, but they’re all great. The main thing here is that Jack gave us an alternative to Taylor Steele and all the other pixelated Momentum-type shot-on-digital fast and dirty videos. Jack and Sonny Miller together delivered us from that. Thank god for both of them, both gone.

5. Billabong Challenge (1995)
The first one, at Gnaraloo. I remember thinking the waves looked terrifying, with all the steps and gurgles, but the invited Challenge surfers just ripped. Shooting that place from the water, like Jack did, would have been a Herculean task. But the whole thing was. The organization and planning that went into that first Challenge contest was nuts, way out there in the middle of nowhere, and it could have gone so bad. Instead the thing was an absolute home run, amazing performances, amazing capture by McCoy and his team, and to this day an example of how to run a great contest—small field, be nimble, let the surfers be themselves on camera instead of pull-my-string talking dolls.

You’d know his background, McCoy’s lineage was about surf as surf comes. LA, Hawaii, Australia.

Not long after my son was born, I was talking to Jack and said, like I’d been saying to anybody within earshot, that Teddy was weight just over 10 pounds at birth. Jack laughed and said he was 12 pounds. No reason to think he was bullshitting. So in terms of his background, Jack always had something like that he’d throw into the conversation, without fail, some detail or story or sidebar thing that you’d never heard before. Jack Shipley once told me he loved Wayne Bartholomew because he “made the whole show bigger.” McCoy did that too. He’d been everywhere, knew everybody, seen more than any of us, and he just loved doling out these bits and pieces, he was bottomless in that regard. And like you say, he was at home anywhere, California, Hawaii, Australia, Indo.

Will McCoy be remembered, cherished, beyond friends and family?

Bud Browne, Bruce Brown, Alby Falzon, Bill Delaney, Jack McCoy, Greg MacGillivray. The first six lifetime achievement awards for surf cinema go to those guys, whatever order you want to put them in. Except you’d have to point out that Jack stayed in the game longer than anybody, and literally and figuratively covered the most ground. And looked like Magnum PI while doing it.

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