"Tom looked at surfing and saw it as
being infinitely flexible and funny and worthy of our
time."
Two days ago, the free-thinking inventor of the
boogieboard and one of surfing’s great gifts to the world, Tom
Morey, died, aged eighty-six.
Ol Tom wasn’t in the best shape. He was blind and broke, despite
the outrageous success of the boogie board, which celebrated its
fiftieth anniversary this July.
A little earlier today, I asked surf history custodian Matt
Warshaw to fill in the blanks. Who was Tom Morey and
why did he matter.
DR: When I told you Morey died yesterday, you wrote
back, That’s a big one. Why big?
Warshaw: The boogie made him the Johnny Appleseed in terms of
spreading wave-riding happiness, so there’s that. But the
thing that stands out just as much, for me anyway, is how Tom
looked at surfing and saw it as being infinitely flexible and
funny and worthy of our time. Lesser minds, especially in the late
’60s and ’70s, loaded the sport down with 15 varieties of
philosophical bullshit and we had to drag that around for
years. Tom’s view of surfing was bigger and broader than anybody’s,
but he never lost touch with the fact that at the bottom of it all
we’re just out there riding waves, and riding waves is fun, and
that the serious stuff, the more profound stuff, is really
just a byproduct of having a good time. You don’t aim at
enlightenment by surfing, in other words. You aim for a good ride,
a good pun, a long late-night bullshit design session with other
surfers and a half-case of Zinfandel—and if you do that for enough
years, enlightenment in one form or another will find you. Tom was
smart as hell, creative, a bullshitter who knew he was a
bullshitter, with a great sense of humor. Surfing doesn’t have
a surplus of those people. We’re no longer producing them as fast
as they’re dying off. That’s what I meant by saying that Tom dying
is a big one.
In that old profile of Morey by
Steve Barilotti you posted on EOS yesterday, he’s described as
“perhaps the most revered and reviled man among modern
waveriders.” Wild claim and maybe hard to believe, now,
but back in 1996, hate for boogieboarding was acute. Did Morey ever
talk about that side of it?
Yeah, he talked about that in the article somewhere. He didn’t
deny it. “Red ants and black ants will never get along,” or
something like that. I was thinking, while reading Steve’s piece,
that bodyboarders are nowhere near as hated as they were in the
1980s and ’90s. When I was at SURFER we did a Mike Stewart profile
and I headlined it something like “Mike Stewart: Best Surfer in the
World,” not “Best Bodyboarder,” and the hate mail rained down. That
would not be the case today. Or rather, there would still be
haters, but also plenty of defenders and various list-makers
sharing their favorite non-WSL-Top-Five favorites.
Tom regarded his invention as important as the spoon,
the printing press, yeah?
That’s what he said. But that’s what I mean about Tom being a
bullshitter. Or a salesman. I don’t know if Tom believed it, but
you’d listen to him make the case and he could shift your view, for
sure. He had that grinning-mad-professor charisma. Actually, I do
think he did believe that about the boogie. Or, at least, that the
world will be a better place in direct proportion to how many of us
are out there riding waves. He believed that, and I do too.
How did he name the boogie?
It was going to be called the SNAKE, short for Side, Navel, Arm,
Knee, Elbow, which is a terrible and likely product-killing name,
so he went back to his music roots and pulled out “Boogie” instead.
Here’s another thing. There was a really popular novelty song from
that time called “Hey Babe, Ya Wanna Boogie?” and
I’ll bet a hundred bucks Morey loved it, and loved calling his new
craft a “Boogie” because that gave it the double-entendre, just
like Simon had with his Thruster. Morey never, ever called it a
bodyboard, God bless him. It was a Boogie till the end.
Real talk. Was it the little board or was it
out-of-the-box thinking surfers who grabbed a kid’s toy who made
bodyboarding? ie, Mike Stewart and co granting Morey a place in
design lore by taking the boogie places it wasn’t mean to go. An
accidental design breakthrough.
In that little clip I posted yesterday of Morey riding his
boogie in 1972 you can see he’s not just trimming
out, he’s turning and pulling high and cutting back. So I don’t
think he ever thought of the boogie as just a beginner’s
board—although that was certainly part of it too. But Tom himself,
visionary and all, no, I don’t he think had any idea Mike and the
rest of those first-generation boogie savants were going to take it
as far as they did, as fast as they did.
Talk about his genius to bullshit ratio . .
.
I wrote yesterday that said Morey’s genius-to-bullshit ratio was
2:3, but that was supposed to be 3:2. More genius, in other words.
Of course, I’m no actuary.
He went blind in his last few years and was broke as
hell. What happened, money-wise?
I don’t know. He didn’t talk much about those decisions, at
least not on record, or at least not that I’ve read. But I always
feel bad when people like that end up having to do a Go Fund Me,
which means they have no health insurance, or crap health
insurance, which makes me angry at our health care system but also
angry at the person for not having health insurance.
Did surfing need Tom Morey?
Sure. The silver lining of Tom’s death has been this great
outpouring of affection, everybody sharing their memories of
him. We still love our eccentrics, we still boogie with the
oddballs, and I am so grateful for that.