Two nights ago, at approx eight-thirty pm, I had to
close my eyes tightly so the tears didn’t ruin my makeup.
Every time Kelly loses it’s a spear through my heart. His is a
magic love spell that no man can resist.
Today, I predict these winners: Gabriel (Owen beset by mystery
illness shortly afterwards), Kolohe (He’ll start slow and slinky,
like a spider doing the creepy crawl up to its catch), Filipe (the
devil will claim SeaBass) and Italo (gave my kid a board as a
present).
In the women’s, Caz, by sheer force of reo numbers and Lakey,
who can absorb any sort of evil on the face.
Men’s Quarterfinal Matchups:
QF 1: Owen Wright (AUS) vs. Gabriel Medina (BRA)
QF 2: Kolohe Andino (USA) vs. Adrian Buchan (AUS)
QF 3: Filipe Toledo (BRA) vs. Sebastian Zietz (HAW)
QF 4: Kanoa Igarashi (JPN) vs. Italo Ferreira (BRA)
Women’s Semifinal Matchups:
SF 1: Caroline Marks (USA) vs. Carissa Moore (HAW)
SF 2: Malia Manuel (HAW) vs. Lakey Peterson (USA)
Loading comments...
Load Comments
0
Sam George: “I invented surf commentary as
art form!”
So here's a little advice for Joe, Pottz, Ron,
Barton, Peter and Rosy…
Being one of the few, apparently, who’ve been staying up
late (on the West Coast, at least) to check in on the 2019 Corona
Open J-Bay I was again struck by sharply contrasting elements of
the WSL broadcast: the quality of the coverage, especially
the replays, and the inanity of the commentary.
Yeah, I know, listening to Joe Turpel recite love letters to the
Top 40 live on air, heat after heat after heat, makes me want to
stuff a wad of Fu in my ears, too.
But in regards to the commentary, and considering the tone of
BeachGrit’s more typical criticism of the hapless World
Surf League, which generally runs towards clever, I was moved to
provide a more informed critique for those of its fan base who,
along with the ‘tit clicks’ and sarcastic Chas Smith musings, might
enjoy some actual perspective with their daily dose of snark.
And I’m just the guy to provide it, seeing as how, along with my
brother Matt, I did the first, blow-by-blow (or more appropriately
wave-by-wave) live commentary at a professional surf contest, way
back at the 1984 Stubbies Pro held at Oceanside.
Up until that time surf contest commentary was rarely elevated
beyond, “Cheyne Horan, please return your jersey to the beach
marshal. Cheyne, return your jersey” and “Red’s up and riding”,
even when red happened to be four-time world champion Mark
Richards.
Oh sure, during the very first Stubbies Pro, held at Burleigh
Heads in 1977, contest organizer and erstwhile drama student Peter
Drouyn (what, you thought that Westerly Windina act was something
new?) called a few of the latter heats with a spot-on impersonation
of a Melbourne Cup horse race announcer. Good for a few laughs, but
by the next year “Bloody Bill” Bolman, who took the helm at the
Stubbies event, was using the amplified voice to urge spunky Gold
Coast sheilas to show us their tits, while at the Rip Curl Bells
event booth guest Terry Fitzgerald was using the mic to call sets
for rookie team riders like Steve Wilson and Derek Hynd, sublimely
unconcerned that everyone on the bluffs could hear exactly what he
was doing.
Amusing, yes, informative, no.
Surf commentary got no more sophisticated as the pro tour
progressed into the 1980s, which is why, in an attempt to justify a
tenuous sponsorship arrangement, my brother Matt and I convinced
the Stubbies execs to let us do actual live commentary at their ’84
event, leaving the jersey assignments to the beach marshals and the
“show us your tits” stuff to the pros in their sponsor’s tents.
This we did, from the first heat to the last, and continued to
so do for several years after, wielding the mic at a variety of big
time events, from the Op Pro at Huntington Beach (where I first
coined the term “paddle battle”, thank you) to the Gotcha Pro in
Hawaii (including commentating the ancillary bikini contest and
subsequent near riot) and the Spur Steak Ranch Surfabout in
Capetown, South Africa (where I was actually paid in Spur Burgers
with monkey gland sauce.)
In every case, focusing on providing surf fans with perspective
on what they were watching, not simply describing what they were
seeing. Which, when you get right down to it, is the entire point
of sport’s commentary.
Did I eventually get tired of hearing my own voice, yammering
away at the efficacy of the Huntington Hop (I actually stole that
one from Tom Curren, but made it my own through relentless
repetition) and explaining the priority rule for the umpteenth
time? Naturally, and I’m sure many others did, as well. I’ll
certainly cop to that. But having pretty much invented the art form
I can claim with confidence that when it comes to live surf contest
commentary, I know what I’m talking about. So here’s some advice,
from a world-weary gray beard, so to speak, to our new breed of mic
jockeys.
JOE: You have the job, mate. Had it for years. No need
to suck up to the powers that be by continually extoling the
virtues of the tour and its participants. Some actual critique
would be nice, too, as in stop describing awkward tail-drifts as
carving turns and blown finishes as timely exits. And while you’re
at it, there’s no need to gush over every single competitor like
you’re hoping they’ll hear you and invite you to their latest clip
launch party. You’ve got one of the coolest jobs in pro surfing.
Invite them to your party.
MARTIN: It’s simple. If you’re going to be a
commentator you can’t come at it from the perspective of some dude
in the stands, downing his boerewors with a Castle Lager and
cheering for every good ride. Cut out the oohing and aahing. Your
job isn’t to convince us that these guys and gals are good surfers
— that’s their job. And c’mon, Pottz, you know good surfing when
you see it. You invented a lot of it. When they kook out,
call it out. You were world champ, for fucks sake. Your legacy is
safe.
RONNIE: Though you’re too young to have attended the
1977 Stubbies, you’ve obviously picked a page from the Drouyn
playbook, delivering the blow-by-blow in a breathless, hyperbolic
rush. Which is great at offsetting Turpel’s sleep-inducing monotone
and Pott’s frequent fanboy inarticulation. But you might consider
taking it down a few notches, just now and then, to let us hear
what you’re seeing, not simply telling us what we’re watching.
You’ve got the cred. Use it.
BARTON: The most fun to listen to, as well as the most
informative in terms of technique and strategy. But as the second
world champ on the commentary team you’ve earned the right to be
openly critical and well as appropriately supportive of today’s
pros with a little less bemusement, a bit less suppressed
chuckling, at the current crop’s travails. They’re serious out
there. You were, too. Let your commentary reflect that.
PETER: I’ll just say this: Try not to sound so
surprised that someone’s asking your opinion, and being so
apologetic when it’s unflattering. You’re the biggest badass on the
team. On the whole tour, for that matter. Act like it.
ROSY HODGE: Don’t change a thing. You’re absolutely
adorable.
Loading comments...
Load Comments
0
Kelly Slater: “I like the option where
everyone stops paying taxes!”
Did you take the eleven time champion, wave
pool technology co-creator and current world number seven Robert
Kelly Slater as an incendiary revolutionary? A
burn-it-all-to-the-ground idealist? A man willing to push the
masses into an uprising that tilts the very balance of power?
I didn’t.
And if I’m quite honest, I always considered Kelly a stone-cold,
bald-faced, opportunist. A man who sees the angles, smells the
blood, knows how to position himself exactly like he knows how to
position himself at tricky-to-read maxing Pipeline and come out
victorious.
Robert Kelly Slater is a student, an expert, but only an expert
at surfing, or so I’ve always thought.
I’m indifferent to Outerknown but don’t see the real economic
play in an ecological, high price-point surf brand. I had a case of
Purps in my garage when we launched BeachGrit some four
years ago and drank one while gagging. K-grip was never good
(buy Octopus
here!) and Kelly Slater surfboards are… I can’t
say.
I’ve never actually surfed one.
Are they good? Epic? I don’t doubt but also don’t know.
More importantly, I’m writing a book on Islamic fundamentalism
right now and ooooooooee. Rough. Fundamentalism is not what you’d
call a “marketable literary enterprise” but to hell with those,
right?
Right?
To hell with anything not directly tied to the machine.
Right?
Maybe not.
For Robert Kelly Slater, the man I considered immune to absurd
heart tugs, is calling for revolution on Joe Rogan’s Instagram
page. A tax-free revolution contra the popular notion that we
should all storm Area 51, a U.S. military installation in the
Nevada desert.
I honestly don’t know what any of this about but do like the
“option where everyone stops paying taxes.”
What do you think?
Are you in?
Will you follow the world’s most successful living surfer to
jail as a form of popular rebellion?
More as the story develops!
Loading comments...
Load Comments
0
The most glaring example was Carissa Moore's
9.5 from her QuartFinal with Johanne Defay. A good wave, a great
wave. Three nice turns and a fun little tube-ride. When we put side
by side with Filipe Toledo's 9.43 opener for his heat against the
Panda the difference is stark. Staggering. Every variety of top
turn and power carve on display with a strong ending. Why the
discrepancy? With the women on full pay do they really need the
babyfood scores fed to them like mashed banana? Why the
discrepancy? With the women on full pay do they really need the
babyfood scores fed to them like mashed banana?
Longtom: “With the women on full pay do
they need baby-food scores fed to them like mashed banana?”
Exhibit A: Carissa Moore's 9.5 vs Filipe Toledo's
9.43…
Women’s Sport is hotter than fish grease. Pro
leagues have popped up everywhere in Australia, pretty sure it’s
happening in Europe and the Americas too.
Australian male pro surfing is circling the drain; the gals are
dominating.
In the last few days in between J-Bay and pumping surf at my
home point I’ve visited the Skullcandy Grom Comp. Girls shredding
everywhere, huge girl energy, everywhere you look girls are taking
over.
You can’t deny the success of the investment Natasha Ziff,
co-waterperson of the Year 2018, has made in Women’s Pro surfing.
Three months ago, I watched a seventeen-year-old Floridian girl
walk away from onshore 2ft D-Bah with a cheque for a hundred grand
US in her hand.
WSL has made a gamble to put itself on the right side of history
and so far the mainstream media has gobbled it up. It might turn
out to be the smartest move pro surfing has ever made in it’s topsy
turvy
forty-five-year history.
The most stunning aspect of the Founders Cup last May was how
close or non-existent the gap between Gilmore, Wright, Moore and
the top men was in the basin. Steph was the most watchable of all
the surfers, male or female. Easily eclipsing, on that day, John
John Florence. These aren’t value judgements, just facts of the
matter.
The disparity between pay cheques between men and women has
gone. The performance gap has not, but it’s closing. The most
stunning aspect of the Founders Cup last May was how close or
non-existent the gap between Gilmore, Wright, Moore and the top men
was in the basin. Steph was the most watchable of all the surfers,
male or female. Easily eclipsing, on that day, John John Florence.
These aren’t value judgements, just facts of the
matter.
WSL now feels confident in an ever closer integration of mens
and womens events. They share the same contest windows, and the
same eyeballs. Both live and online. The days of a separate Tour
schedule are almost over, apart from legacy events like Pipeline
and waves still considered too gnarly like Teahupoo. They share the
same audience, the same prizemoney, the same lineups, the same
criteria but to even the most casual viewer the scale used to put a
number on their rides is wildly different.
I said last night that it was a lack of capacity that stopped me
watching more women’s pro surfing and that is true. But there is
more. After watching six hours of men surfing and then in the same
lineup with the same judging panel the numbers thrown at the women
seem ridiculously inflated.
I said last night that it was a lack of capacity that stopped me
watching more women’s pro surfing and that is true. But there is
more. After watching six hours of men surfing and then in the same
lineup with the same judging panel the numbers thrown at the women
seem ridiculously inflated.
Steph’s two sixes would be fours or maybe fives. Caz Marks’
eight would be more like a six. The most glaring example was
Carissa Moore’s 9.5 from her quarter-final with Johanne Defay. A
good wave, a great wave. Three nice turns, a fun little
tube-ride.
When we put side by side with Filipe Toledo’s 9.43 opener for
his heat against the Panda the difference is stark. Staggering.
Every variety of top turn and power carve on display with a strong
ending.
Why the discrepancy? With the women on full pay do they really
need the babyfood scores fed to them like mashed banana? Is it not
disrespectful to their status as athletes and elite level surfers
to be so clearly patronised by exactly the same judging panel using
the same criteria?
What message does it send to the kiddies, the future?
That we’ll pay you the same but score you differently?
Down at the Oz Grom Comp I watched the best kids of the future.
Gals shredding as hard as boyos. What incentive have they got to
elevate the level, to future proof the sport if they know they are
going to get fed highballed scores for surfing well below the level
they are capable of reaching.
Equal pay has been a boon for women’s surfing. Time for an equal
judging scale to be applied if the Tours are to co-exist.
Loading comments...
Load Comments
0
J-Bay Open (women): “Gilmore, Fitzgibbons
falter; Moore swoops on title lead!”
Four high-pressure heats contested with world title
hopes on the line…
It’s getting real in the women’s world title race
now. The opening heats for the women at J-Bay set up the
quarterfinals perfectly.
Each of the high seeds made it through, which meant four
high-pressure heats contested with world title hopes on the line.
The atmospherics of dreamy J-Bay felt at odds with the stakes. Even
the inevitable point break lulls ratcheted up the tension.
This year’s narrative was set to be a rivalry between Stephanie
Gilmore and newcomer Caroline Marks.
I’ll confess I rolled my eyes a bit at the notion that we could
decide the narrative back at the opening event, but having written
press releases a few times in my life, you have to write
something.
In any case, the Gilmore-Marks title race hasn’t really
materialized, thanks to inconsistent performances from both women.
Other contenders such as Carissa Moore and Sally Fitzgibbons,
meanwhile, have steadily climbed the rankings.
Though this year has never been a two-woman race, the
quarterfinal between Gilmore and Marks was a big heat for both of
them.
For Gilmore, it was a crucial heat if she wants to chase down
Carissa Moore and Sally Fitzgibbons for the world title. Gilmore
has struggled to bring her best surfing to the party this year. The
gorgeous style will always be there, but at crucial points she’s
failed to get the scores that add up to a world title.
Marks, meanwhile, needed to win this heat to pull herself out of
the two-way tie with Lakey Peterson for fifth and climb back into
the title race, if she can. As the fourth-placed American in the
rankings going into J-Bay, Marks also needed a good heat to keep
her Olympic dreams alive.
It is always a shock to me when Steph Gilmore falls on a wave.
Wait, what? How is that even possible? When Gilmore is at her best,
it feels like nothing could ever go wrong.
In her heat against Marks, Gilmore fell twice on scoring waves,
and quite simply, that was the game. Marks surfed as well as ever
with an 8.17 and a 6.27 as her keepers but Gilmore largely defeated
herself on this one.
A pair of sixes at a right-hand point is a rough day at the
office for Gilmore and in a post-heat interview, she said it was a
crucial heat and a tough loss. She isn’t out of the title race just
yet, but losing that heat just made the whole thing much more
difficult.
Of the women in these quarterfinals, Carissa Moore surfed the
best. Smooth, controlled, powerful. She seemed to see what the wave
was going to do before it happened. She never fell out sync, there
were no frantic chases down the line to get back in the pocket.
If you didn’t see the 9.5, it’s worth finding. She slid into
that cheeky barrel on the end section like it was nothing, never
mind the rocks lurking just beneath the surface. Against anyone
else, Johanne Defay might have had a shot at this one. She surfed
well, but Moore was simply on another level. There’s not much you
can do with a 17-point combo.
Thanks to the post-heat interview I learned that Moore and Defay
are good friends and traveling together at J-Bay. This is fine, but
it felt like waste of an interview to me. Anyone who’s spent any
time around women’s sports knows the friendship stops when the
competition begins. No one’s going to really spare a thought for
their bestie when the world title is on the line. Moore handled it
with her characteristic grace, of course. She’ll meet Marks in the
semifinal, which is going to be fire.
My heart always says Malia, but my head said that certainly
Sally Fitzgibbons would win this one. Not so fast. J-Bay suits
Manuel’s smooth style and clean rail work. She came out firing on
and scored a 7.0 on her opening wave. If her turns lacked the
dynamism and power of Moore, Manuel looked poised and beautifully
controlled.
Fitzgibbons answered back with fast, hammering turns. The judges
rightly rewarded her tighter, more vertical turns a bit more than
Manuel’s more flowing style, but the heat remained a nailbiter.
Then things got wild. Manuel fell after taking a wave on
priority, leaving her with no backup score. A lull created a
high-tension waiting game. Then with priority, Manuel went to go,
but changed her mind. Along the way, she also prevented Fitzgibbons
from taking the wave. That meant Manuel lost priority. Fitzgibbons
scooped up the next one, but only managed a 6.17. Good, but not the
emphatic finish she might have liked.
Point breaks are a finicky business. Long lulls. Two-wave sets
alternated with five- or even ten-wave sets. Manuel quite simply
got lucky. Instead of a two-wave set, the waves just kept coming.
Manuel has an almost zenlike presence and it served her well here.
She scrapped into the last wave of the set, waited for the white
water section to clear, threw down a series of clean, arcing
turns.
Just nail the close-out and win the heat: That’s it. Manuel went
big on the final section, but fell on the closeout. The cameras
showed her on the beach, waiting for the score to come though. It
felt like forever, watching it. She got it.
A 7.03 on her final wave sends Manuel to the semi-final.
I was looking forward to the heat between Courtney Conlogue and
Lakey Peterson. Both are insanely competitive and dynamic. You
never really know what Conlogue, in particular, is going to do on a
wave. Her opener featured an insane close-out move. The judges
weren’t that into close-out moves this time around, it seems,
because I expected a higher score for that one than they delivered.
Conlogue took an early lead with a 7.33.
Peterson answered back in short order with a signature wave. A
series of tight, vertical turns linked seamlessly. And fast.
Peterson has so much speed. She’s always right on the edge of it,
which is nerve-wracking to watch. I’m not sure about that head
throw in the midst of the hooking turn she loves so much. An 8.57
gave her the lead and the heat looked to be a competitive one.
It took a turn when Conlogue needed a board change. If you’re
going to break your board in a heat, J-Bay is a hell of a place to
do it. Paddle back up to the keyhole, get to the beach, paddle back
out. I thought the heat was over for Conlogue. There was no way
Peterson wasn’t going to make the most of sitting alone in the
lineup. But Peterson could only pick up a 4.50 during Conlogue’s
board change.
Game still on.
Except Conlogue paddled back out to a flat ocean. Just then,
J-Bay decided to do stupid point break things and the lull from
hell began. Peterson and Conlogue sat there, bobbing up and down,
staring at the horizon. Pretty much nothing happened. Finally, one
wave slouched down the point. With priority, Peterson scooped it
up, scored a 5.83, and that was the heat. It was all a bit of a
letdown, given the dynamic styles of the two women in the water.
Peterson meets Manuel in the semifinal, which will be quite the
contrast in styles.
With Fitzgibbons out, Moore needs to make the final in order to
take over the lead in the rankings. That means beating Marks. Based
on their quarterfinal heat scores, Moore has the edge, but both
women have shown that they are big-heat surfers. They bring their
best when it matters, and Moore has steadily built a solid
foundation for a title run.
While the narrative has focused on Gilmore and Marks, Moore is
quietly waiting to pounce.
Corona Open J-Bay Women’s Quarterfinal
Results:
QF 1: Caroline Marks (USA) 14.44 DEF. Stephanie Gilmore (AUS)
13.10
QF 2: Carissa Moore (HAW) 17.67 DEF. Johanne Defay (FRA) 12.50
QF 3: Malia Manuel (HAW) 14.03 DEF. Sally Fitzgibbons (AUS)
13.50
QF 4: Lakey Peterson (USA) 14.40 DEF. Courtney Conlogue (USA)
11.00
Corona Open J-Bay Women’s Semifinal
Matchups:
SF 1: Caroline Marks (USA) vs. Carissa Moore (HAW)
SF 2: Malia Manuel (HAW) vs. Lakey Peterson (USA)