Bitter legal stoush over iconic photographer's fortune ends!
The Gold Coast photographer Marty Tullemans, who was as much a part of surf history as the iconic photographs he took but who suffered from bi-polar disorder and, later, dementia, died of kidney failure two years ago.
Marty was man of indeterminate age whose flamboyant behaviour, driven by his mental illness, helped created a sort of cosmic legend.
Minutes after I’d sold a painstakingly restored vintage station wagon built in 1964 to him, I looked out the window of my office to see the ancient Valiant mowing through the company’s flower beds, the compact Dutchman’s grinning face only just visible above the oversized steering wheel.
Another time, at the opening date with the woman who would become my wife, later ex-wife, Marty appeared with a sword and performed a dangerous set of callisthenics while swinging his weapon, which was polished to a high sheen.
And ol Marty, who was pretty canny with his money, left a total of 625k, which included $379,000 in cash.
A will from 2013 shared his estate equally between his ex-partner’s four kids, including his step-daughter Tamar Tane, and nothing to his sister, Maria Shaw.
In response, his sister claimed she had found an envelope, marked “Powderkeg”, after he went into a nursing home that contained an updated version of his will, this time leaving most of his fortune to her.
“This is to be read only if the will is contested,” a letter accompanying it read.
The step-daughter, Tamar Tane, challenged Maria’s application and filed a counterclaim.
Tane’s lawyer alleged there were “suspicious circumstances” surrounding the signing of the will.
In a court doc, Maria says she and her husband found a safe containing the updated will, dated October 18, 2019, in Marty’s Kirra Beach Caravan Park cabin.
Maria said the will had been witnessed by her dad Petrus Tullemans and Marty’s pal and neighbour of thirty years, Deborah Phillips.
Shaw’s son, David, said his Uncle Marty asked him to fill in a will form and then dictated his wishes and then watched as Marty signed the form in front of his grandfather Petrus and neighbour Deborah.
Marty, said David, told him to keep the will confidential, telling his nephew, “I have put the will in an envelope which has “Powderkeg” written on it and put it in my safe”.
The “Powderkeg” will left fifty k to Tamar Tane to divide with her siblings however she wanted, fifty k to Marty’s bro Frank and the rest to Maria.
And here came the twist.
Deborah Phillips, whose signature is allegedly on “Powderkeg”, signed a stat dec saying she didn’t see or witness Marty or his Dad signing it.
In November 2020, Deborah said Maria invited her for dinner and said, “I need you to sign a document for Martin” which she said she refused.
Maria denied asking Deborah to sign the will.
The judge, meanwhile, ordered Maria to reveal text messages between her andDeborah and to surrender all of Marty’s phones and computers.
On Friday, Justice David Jackson described the circumstances surrounding “Powderkeg” will as suspicious pointing to the discovery of the will by Shaw, who was gonna get the bulk of the cash, that it was written by her son and the neighbour saying she didn’t sign it, and found in favour of the 2013 will.
A fitting coda, I think, to Marty’s wild life.
“I’ll never forget Marty Tullemans rolling up to our family front door in Nullaburra Rd Newport back in 1976,” Nick Carroll wrote. “Tom and I were innocent grommets and the Cosmic Pygmy was one of our early encounters with the sort of incredible humans who dwelled in the realm we were doomed to inhabit for the rest of our lives. We went out front to greet him, and Tullemans bowed, then began a kind of ritualistic movement, a dance if you will, swinging his hips around like an Indian Yogi. “Do this!” he urged us. “You’ll open up the chakras!” The smell of patchouli arose and wafted across the lawn. Our 80 year old grandmother, who’d lived through two world wars and a Depression and was now engaged in raising three grandkids on a foreign shore, was entranced by Marty. “What an interesting person!” she said to me later. She was totally right. Vale, you wacky witty lens person you.”
Love sleuths finger big wave stud Laird Hamilton as possible matchmaker in shock union between Oscar winner Lupita Nyong’o and surf broadcaster Sal Masekela!
One of the greatest gifts surf fans received just ahead of Christmas was Lupita Nyongo’o making Selema Masekela “Instagram official.” The much-loved, Academy Award winning actress at the very height of her powers, starring in blockbusters and critically-acclaimed films alike, debuted her romance with the surf broadcaster in a series of extremely cute matching outfit changes plus dancing.
But how did it come to be?
How did the two meet?
Love sleuths combing the internet have landed upon Laird Hamilton.
While the big wave icon is clearly multidisciplinary, pioneering stand-up paddleboarding, tow surfing and foiling, his skills as a matchmaker have not been thoroughly considered but here wave have irrefutable evidence. Nyong’o, you see, is currently starring the powerhouse film Wakanda Forever which features an underwater kingdom. But how did she get into physical shape in order to reach Talokan? By swimming with weights, of course, the patented cornerstone of Laird Hamilton’s XPT training program.
I think there is limited reasonable doubt to think that Masekela was at Hamilton’s house on one of those days, enjoying friendship and coconut-based coffee creamers when the latter made introduction. I think Hamilton, seeing a potential union would have followed up with each, texting encouraging messages and/or choreographed an XPT session where both Nyong’o and Masekela did underwater weights together.
The rest, of course, is now history.
But if Hamilton can reach amorous successes at such a peak level don’t you imagine that more single surfers and surfer-adjacent may darken his door?
Joe Turpel seeking Jennifer Aniston?
Gabriel Medina plus Drew Barrymore?
Laird Hamilton listening patiently before smiling, lightly, and saying, “Let us see what we can do?”
In bombshell edict, surf company Vans classifies Mark Zuckerberg as “Hawaiian” for purposes of local inclusion in digital Triple Crown series!
As part of the reimagining of the Pipe Masters and the Hawaiian Triple Crown, a three-event series once lauded as the equivalent of the world title, VF Corp’s shoe company Vans set aside forty percent of entries for Hawaiian surfers, with a whopping fifty percent of starters in the Pipe Masters counting as “Hawaiian”.
A watershed moment for North Shore locals, whose island wave-park is swamped by surfers every October through February.
“There’s no shortage of rising talent within the region, but more so it’s about uplifting and respecting the culture and community that’s there today,” Justin Villano, director, brand management (Action Sports) at Vans, told Forbes.
But what makes a Hawaiian surfer?
Because unlike New York or Texas, whose residents can claim to be New Yorkers or Texans wherever they’re from, if you live in Hawaii it ain’t considered right to call yourself Hawaiian unless there’s some Polynesian blood swimming around in your veins.
To enter under Hawaiian inclusion rules, must there be a genetic link near or distant, like Koa and Makua Rothman with a Hawaiian mama, Mason and Coco Ho with a Hawaiian great-grand mammy or the Moniz family with proud links to Molokai?
(There’s an estimated 5,000 pure-blood Native Hawaiians left… in the world.)
Or, like the Florence brothers, John John, Nathan and Ivan, all invitees to Pipe, is being born on the rock to mainland American parents, enough?
Yeah, well, someone had to define what Hawaiian meant for the purposes of the rule book and so on and it came down to a simple formula of how long you’ve lived in Hawaii.
And, if you can prove you’re a permanent resident of Hawaii of three years you count as Hawaiian.
It is Christmas morning, in America, and families are gathered together trying to get along. Oh, these are divisive times, as you well know, and finding something to agree upon can be a tall order which is exactly why a fifteen-year-old Australian boy is being hailed as a hero by all except mothers.
But let us travel to Perth where we find Bryce Hickman. He happened to be out surfing a break called “Cosies” with his twin brother when he spotted a six foot shark lurking and malingering. “I was waiting for another wave, then something kind of nudged my surfboard,” he told 9 News. “I looked again and there’s this big shark, then it darted off.”
Hickman shouted a warning to his brother and the two of them paddled over the reef and to the beach where their mother informed them that no more surfing was to be done.
Well, the youngster had only caught one wave pre-shark encounter, not a satisfying amount, and so waited for a few hours on the beach then, in defiance of both his mother and fear, paddled back out and caught a few sets.
Surfers on the far left and those on the far right, sitting around the Christmas tree and usually wishing death upon each other are now nodding solemnly and saying, “That Hickman boy is a good one.”
Except for mothers who are united in rage.
A Christmas miracle.
Godfather of psychedelic surf art and “test pilot” for LSD found dead, alone, in mountain cabin, slumped over easel, hand clenching paint brush
His cold, lifeless body waits, waits for someone to find him. He died doing what he loved, painting. His body was found hunched over his easel. Paintbrush in hand, clenched with rigor mortis.
What a metaphor for Bill’s life, clinging on to the art until the very end.
Bill Ogden is dead and there no one coming to check on him. His body will lay there for three more days until officer Schmitt finds him.
I made the call. It’s called a “wellness check”.
It’s when you call the police and ask them to check on someone you are worried about. It had been a week, and Bill was not returning calls or answering his phone.
We knew something was wrong.
Bill Ogden was a legendary artist in the surf world. He’s was most famous for painting the cover for the 1974 surf movie Forgotten Island of Santosha and his painting of the Banzai Pipeline for the 2010 Billabong Pipe Masters surf contest.
But just like the Forgotten Island of Santosha Bill is about to be forgotten, forever.
This article is the last gasp.
This is it.
There is no mention of Bill in the Encyclopedia of Surfing and his art is in no surf museum. Bill is being erased by surf culture and heritage.
Bill Ogden showed talent at a young age. He drew black and white cartoons inspired by MAD Magazine.
In the 60’s Bill moved from LA to Laguna Beach.
He quickly became part of the counter culture and hippie movement at the time.
His art caught the attention of a movement in the Laguna Beach called, “The Brotherhood of Eternal light”.
The Brotherhood was a bunch of rich surfers that had money, money from their parents, money for drugs.
This group loved Bill’s art and thought it reflected the mission of the group, and the mission was to change the world with love through LSD.
The Brotherhood welcomed Bill with open arms. Every movement needed a marketing department, and that was Bill.
In return, Bill got all the acid he wanted.
In Bill’s words, “I was a test pilot, they would test it on me”.
A test pilot for the most famous acid/LSD of all time, Orange Sunshine.
Sex, drugs and rock n roll on repeat. Big-time parties were had, rituals performed. This was the 1960’s and acid was still legal. The Brotherhood’s headquarters was in Laguna Canyon and they were making acid/LSD by the sheets.
Conservative America quickly caught on and made acid/LSD illegal in October 1966 with a very public arrest of Timothy Leary.
Leary was a psychologist and author and a very public supporter of LSD. Timothy became the face of the hippie movement and partnered up with the Brotherhood and the cops knew it.
When Leary got arrested The Brotherhood turned to their in-house artist Bill Ogden. They had Bill create a poster asking the public to donate between $100,000 and $500,000 to bail Leary out of jail.
The hippies waited and waited and the money never came.
So they devised a plan to break him out of jail.
AND THEY SUCCEEDED!
After this event, half of the hippies left Laguna Beach and headed for the mountains of Idlewild, California. Leary went with them.
The cops slowly started rounding up and arresting the hippies in Laguna. But the hippies were not done with Laguna Beach, they had one more trick up their sleeve.
In 1970 Laguna Canyon hosted The Great Christmas Happening, “the last gasp of hippiedom”.
A free festival.
The Brotherhood wanted to throw the biggest party the world had ever seen. A spiritual music and arts festival that promised a free light show, free music, free food, free beer, free art, free sex and a chance to meet the festival’s special guest, “JESUS CHRIST”.
The Brotherhood looked to Bill Ogden to create the flyer.
Bill made the flyer and it was sent out across the USA encouraging all hippies to come to Laguna on Christmas Day. Unfortunately Bill signed the flyer.
His name was the only name on it.
Hundreds of thousands of hippies showed up to Laguna from all over the country. The festival happened and it was a complete disaster. No light show. No food. No Grateful Dead. No beer.
And, yeah, no Jesus.
It was cold, soggy and rainy. The only free thing there was, was an air drop, from the sky of 10,000 LSD Orange Sunshine acid tabs onto the entire crowd courtesy of the Brotherhood’s private plane.
The next day is referred to as The Big Bust. The Laguna Beach cops rounded up all the hippies and threw them in jail, starting with Bill Ogden.
When Bill got out of jail, he wanted to change.
He didn’t want to be associated with the Brotherhood. Bill started doing some poster art around town and switched his focus to surf art.
Bill had a new approach. He would mix surf art with psychedelia.
Bill started doing more and more surf art which caught the eye of John Severson. John had a little magazine called Surfer.
John and Bill worked out a deal where Bill would have the back cover of Surfer, exclusively doing artwork for a swimwear company called Jatzen. This went on for four years, from 1973-1977. If you read Surfer magazine during that time, you’ll recognise the art.
This residency with Surfer sky-rocketed Bill into the surf space.
Soon, he was working with every top surf brand, including Billabong and Quiksilver. Everyone wanted a chance to work with him.
“My art was a reflection of the culture,” said Bill, “and that seemed to resonated with people.”
Over time, Bill became increasingly difficult to work with.
Bill was convinced everybody was trying to rip him off and take advantage of him. The life of a struggling artist was hard on him and his lack of money kept women away, he says. He always wanted a family but his lack of money and security kept women from settling down with him.
Bill tried to compete with the art scene in Laguna Beach but his damaged relationships made it impossible for him to succeed. So just like the hippies before him, Bill retreated into the mountains of Idlewild, where he would stay, alone in a cabin, painting.
Over the next decade, Bill lived on Bill’s terms. It wasn’t much but Bill was happy to paint in the hills, in the arms of the Idlewild mountains.
His life was simple. He had his art, he had his dog and he had his tiny house.
But, Bill was lonely, very lonely.
He was alone. No wife. No kids. No family.
Until three years ago, Bill got a call. Then a message on Facebook.
This is how the message read.
“Hi, my name is Brittony and I think you’re my father.”
What?? This message blew Bill’s mind. It had to be a mistake.
The two started talking on the phone. Bill was sure it was a mistake.
How did you find me, he asked?
When Brittony was 18 years old her mother, a hooker and junkie, had died. One year before her death, she asked her mom who her real Dad was.
Her mom gave her the names of three men.
Brit would hold on to those names for almost three decades.
Brittony had a tough life. Growing up without her mother and her father, Brittony was left to face this world alone. She moved from San Diego to LA and got involved with drugs and started living on the streets.
Soon, Brittony would see all her friends die of a drug overdoses or go to jail.
She made a decision to crawl her way out of her situation. She quit doing drugs and started to get involved with health medicine and spirituality.
Brittony made a commitment to herself. She was not going to end up like her friends. Over the next few years she started to thrive. Looking and feeling good.
She moved up to San Francisco and got heavily involved in the health food scene. Her life became more about self-love, self-care and she did it all on her own.
She was a miracle.
One day, Brittony started thinking about those three names her mom gave her before she died. It had been decades since she really thought about it and plus social media didn’t even exist back then.
The first name she searched didn’t look like it checked out. The second name she searched didn’t check out either.
Then Brittony searched the name Bill Ogden. That’s when all space and time stopped. Brittony whole body went into chills. The image of Bill’s face appeared on Brittony’s screen and she began to weep uncontrollably.
The image of the man was a identical copy of her face. It was her Dad.
As Brit started to search Bill’s page, she quickly discovered her father was an artist. A very good artist.
Yes, Bill Ogden looked like Brittony. Those almond eyes were the big giveaway. But, she had to be sure. She sent him a message.
“Hi, I think you might be my Dad.”
The two started talking on the phone regularly. And Bill was excited at the possibility that he had a daughter.
Bill agreed to a DNA test and it came back an exact match. Bill Goden…was… Brit’s father.
When Bill received the news that it was true, that he really did have a daughter, he told her,
“I was hoping it was true”
Those words from Bill, her father, were the greatest words she had ever heard. It was the most special moment of her life. To know that her father wanted her.
Brit showed Bill a picture of her mother.
Bill recalled a day in the Laguna canyon, where he lived at the time.
He remembered taking a shower and hearing a noise in the backyard, and watched as a hippie girl climbed over his fence. The girl saw Bill and hopped in the shower with him. The two had sex and she jumped out of the shower, never to be seen again.
It’s a pretty wild story but hey, it was the summer of love.
Over the next few years, Bill and Brit would meet up. They were planning to travel together. All the these questions about her past and who she was were being answered. Brit now had a Dad and Bill had a daughter.
It was a beautiful thing. A second chapter in life. A chapter of love, hope and optimism.
Everything was going good.
Until last week, when Bill unexpectedly died.
Who am I and how do I know all this stuff?
I’m a surf journalist and I was was in the process of interviewing Bill.
I recorded over five hours of Bill talking and telling stories.
I reached out to him a year ago and to talk about his art.
Bill had all these great ideas and hoped I could help him get his art out there again, even have an exhibition. He told me he was still creating tons of art and was excited about the future.
Then Bill stoped responding to my texts. He didn’t call me back. I left messages. Four days went by and I started to worry. I had the police stop by his home for a wellness check. That’s when they discovered his body.
Bill Ogden was dead. Found in his art studio. He died doing what he loved.
The sheriff gave me the coronor’s phone number. The cops found Bill’s dog and put her in the pound.
Britt was crushed. The Dad she had found was gone. They had three sweet years together.
Now, she’ll come down from Northern California and pick up the pieces of what’s left of her father’s life.
She doesn’t make much money and this whole thing is a struggle, emotionally and financially.
She needs help. She would like to cremate her father and return him to the ocean he loved.