"They listen to Joe Rogan and Jordan Peterson, explore neo-shamanism and long for a tribe..."
There is nothing more exciting on our surf-adjacent horizon than the new Nicolas Cage vehicle “The Surfer” which brought Cannes’ discerning audience to its feet and kept them there for six minutes. Its Irish director, Lorcan Finnegan, has crafted a rich, lush, sun burnt ode to Australia New Wave cinema of old and recently sat down with Variety in order to provide further insight into his vision.
He shared about how the film is not a “sexy” exploration of our favorite pastime but rather a tense and raw descent into madness. The interviewer, picking up on surfing’s gorgeous image versus what appears on screen, wondered about why everyone was so “aggressive and territorial.” Finnegan, wise, answered, “We talk about pain in this film, so they had to be mean to him. It’s a weird therapy he undergoes in order to find himself, but surf localism really does exist. And not just in Australia! A lot of surfing beaches tend to be in wealthy areas. You have bankers, CEOs, all these ‘strong’ guys who are confused about their masculinity and fall into a weird trap. They listen to Joe Rogan and Jordan Peterson, explore neo-shamanism and long for a tribe, which makes them vulnerable to ‘father figures’ like Scally, played by Julian McMahon. We had fun exploring it in the film.”
Oh.
Shoot.
Are you a “strong” guy confused about your masculinity and stuck in a weird trap?
An explorer of neo-shamanism and Joe Rogan listener?
Vulnerable to a father figure named Negatron?
Fairly damning, I guess.