Matt Warshaw needs your money to help save surf
history and culture from the abyss…
A few days ago, Matt Warshaw, the surf historian who
spends his days at his Seattle home surrounded by surf-centric
books and wrapped in a tartan robe parted at a forbidden
delta, launched his biennial donation appeal, subscriber
drive.
If you don’t wanna dive even deeper, sign up here (it’s three bucks a month, for
christ’s sake) or donate a little
something.
If you’re late to the game, you’ll remember in December, 2017,
when Warshaw announced he would quit and take his archive with him
if thirty thousand dollars wasn’t donated immediately. Warshaw had
made a deal with his wife in 2011 that if it wasn’t in the black
within a year, expenses paid, he pulling out a modest salary, he’d
shutter it.
One year turned into five.
‘It’s just kind of humiliating, to be 57 and making what I make.
It feels like a judgement,” Warshaw said in 2017. “EOS, I
think, does a such a good job at showing the world of surf in
full. Look at us, maybe the most fucked-up wonderful
interesting thing on the planet, it’s all here on the three sites
I’ve made, in photos, video, and words — and for building that I
get less than I did as a SURFER intern in 1985. It’s humbling. When
I step away from the computer a few hours and think about it, I can
get depressed.”
As Nick Carroll, another great surf writer who spends his days
plucking at his dressing gown, wrote,
“Surfing is not culturally anything like it once was. It now has
its very own .01% of very rich people. Eye wateringly,
unnecessarily rich people. I hear about new ones every day. Most
recently I heard about a near-billionaire ex tech guy who takes his
chef and sommelier with him on surf trips, on chartered planes, and
pays skilled older surfers to go with him too. Another one who has
several people on permanent retainer combing the world for the best
next surf trip he can take. Elsewhere this .01% is busy re-shaping
the sport wherever they can, making it go to the Olympics, putting
it on show in lakes, doing pretty much everything except just
fucking leaving it alone. Here’s a thought for the .01%. You wanna
be the modern Medicis of surfing? Well then be patrons. Fund the
work of Warshaw and people like him. Don’t buy them, back them.
Give everyone else in surfing a reason to like you.”
Anyway, the response was very good, Warshaw even squeezing six
thousand American dollars out of us (which we’ve almost paid in
full, one or two more instalments to go).
Now, he needs a little more.
And the advertisement-free Encyclopedia of
Surfing, which is a fully registered 501(c)(3)
nonprofit, which means it’s tax deductible, has its phones and arms
open for surfers who want to do something tangible for the culture
they love and loathe in equal measures.
Warshaw, of course, has been responsible for some of the sharper
stories on BeachGrit including: (On wavepools)
“We’ve traded magic for
Perfection!“, (On the death of filmmaker Bill Delaney)
“It may be shameful but
every time a famous surfer dies I get this initial rush, almost
like a fire alarm going off!” and (On Kelly Slater’s
Sound Waves episode), “I watched Sound Waves,
Kelly Slater twice. It’s almost druggy, like
MDMA!”
A man as precious and loyal, and as secretly wanton, as any that
has walked the earth.
Here’s his spiel.
I’m a full-time EOS employee, developer Mark Augias is
part-time—and that’s it for staff. This year’s fundraiser is mostly
about getting another pair of hands involved. $50K in combined
donations and new subscriptions gets us a new part-time person and
throws some more hours Mark’s way. $100K gets us a full-timer, more
hours for Mark, and a small raise for me—I’m doing EOS for $30K a
year and I’d be lying to say I’m not looking for a pay
bump.
What’s on our to-do list for 2020? Apart from creating and
improving the pages you already know (Encyclopedia of Surfing,
History of Surfing, Above the Roar), we’ve just added beta versions
for two new EOS areas: Surfboards and Contests.
Click here to
see a Surfboard page, and here for
a Contest page. Both environments are already functional and
integrated with the rest of the site, but they need hundreds of
pages to really lift off—which means added work hours, which means
staffing up.
Meanwhile, we’re still doing the non-sexy stuff: digitizing
movies and videos, scanning old surf mags, tagging, keywording,
databasing. The preservation work isn’t glamorous, but it’s the
most important thing EOS does. We have to grab this stuff now. When
the last analog version of a surf movie or magazine disappears or
is forgotten, that’s it, game over, kiss it goodbye. So again, more
hands at EOS means more surf history and culture saved from the
abyss.
Click here to watch the
fundraiser movie.
And, once convinced, subscribe here and donate here.