David Lee Scales wrote an insightful
first-person tell all about Kelly Slater’s Venice art show
Apolitical Process. You must read here but, if in a hurry,
his summation was:
The people in attendance were so beautiful and such a
diverse bunch. Everyone was very kind and happy. All in all, a
great turn out and a great event. The exhibit on the other hand,
unfocused and unless you happen to be in Venice, not too
exciting.
Tucked one paragraph above, though, was the sentence that got me
very hot.
Kelly arrived midway through the evening and was swarmed
with fans trying to get iPhone photos. His silly shoes were the
highlight of the evening for me, although I don’t think anyone else
noticed…
Silly shoes? I raced directly to the dropbox of photos included
with the story and feverishly scrolled until I found the image.
There they were, so crisp, so white, with the undeniable green
and red motif. Only a fool or asshole would not know they were
Gucci**.
And I have been waiting for this moment ever since Kelly left
Quiksilver for the pastures of Kering. The company that provides
financing for his OuterKnown and also owns Saint Laurent,
Balenciaga, Alexander McQueen, Bottega Veneta and… Gucci.
Now, the more savvy but not super savvy amongst you will throw
hands up right now and cry, “Gucci is played out, foo!”
Aha! But that is why not super savvy! The brand is undergoing a
design renaissance, turning to a Canadian street artist/snowboarder
who creates under the handle Gucci Ghost for the most recent
collection launch. You should read about him here.
And all very wonderful. So wonderful that I wandered into the
flagship Gucci store in New York and wandered out with a glorious
pair of loafers on my hoofs. Like Kelly I used to love designer
sneakers but have realized that men belong in leather soles.
In any case, Kelly is famously and notoriously cheap so I can’t
imagine he purchased but it made me wonder? Does he get the keys to
the vault when he flies private (and depressed) to France?
What would you like to see the world’s greatest surfer sheathed
in?
I’m talkin’ about Jamie Mitchell, Mark Healey, Greg Long, Albee
Layer, Shane Dorian, John John Florence, Josh Kerr, Jamie Sterling…
I’m sure I missed a few.
What do they all have in common? They’re WSL competitors! Which
means they’ve all signed the “Surfers Agreement,” a document I have
never seen.
But some minor deduction could lead one to believe it contains
provisions related to competing in unsanctioned contests. Can’t
allow that, no sir!
Which makes sense, in the context of ‘CT surfers. Those guys
earn a fair living. But for the big-wave fellas it’s a little
fucked. Damn hard to pay your bills as a hellman, unless you’ve got
the world-class social media skills of everyone’s favorite diminutive shark rider, Mark
Healey.
The sanctioning game came up during the Cape Fear event. BWT
surfers weren’t allowed to enter. Albee Layer was very upset.
“People who surf on the WSL full time aren’t allowed to do any
other events,” he told an online retailer, from whom I’ve lifted
this, and the following, quote verbatim.
Which for the guys on the CT makes sense. They get paid much
better than the big wave guys and all have good cash coming in from
their sponsors; they can make a healthy living. On the Big Wave
Tour we only get two or three events each year and not even a
quarter of the prize money. If you won every event of the year,
you’d still make less money than someone who places last every time
on the CT. We should be able to try and surf wherever we
can.”
More than half the guys on the BWWT aren’t sponsored. They
can barely afford to do it. There’s not enough money in it for
anyone to dictate what we do when the BWWT events aren’t on. It’s
not really fair… for the guys on the CT it’s a good rule, but
something needs to change for the Big Wave Tour. For us, they can
go a whole year without running an event; that’s not a career. If
that happens we’re making zero dollars. I’m lucky enough to have
good sponsors, but most the guys on tour don’t. They don’t have
anything coming in outside of the tour and aren’t making good money
at the events. When opportunities like the Cape Fear event come up,
it’s a chance to get good exposure and make some money. It seems
like the WSL teaming up with events like this would be mutually
beneficial to all parties.
Will the aforementioned big-wave slayers actually compete? Or is
it little more than a marketing gimmick? I mean, you can invite
anyone you want. Doesn’t mean their boss will allow them to surf in
the event.
I reached out to Dave Prodan to find out more. He responded in
his usual, delightfully terse, fashion.
It is not a sanctioned event.
However, the WSL respects Mavericks as a venue, and
certainly the surrounding community, so WSL BWT surfers are
permitted to compete in the event.
Hope that’s helpful.
It is helpful! Quite the policy flip. And it’s great! Only
allowing BWT competitors in WSL events was a dick move. Total
attempt to monopolize big-wave surfing. Great to know they’ve seen
the error of their ways and decided to allow the boys a little more
freedom.
One question remains. Is this indicative of long term WSL
policy? Will BWT competitors be given free reign to earn a buck
wherever they can?
Or is it a one-off, the result, maybe, of some backroom deal to
which the likes of you and me will never be privy?
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Rumor: Golden Ticket winners to sell?
By Chas Smith
The winners of Kelly's Golden Ticket give away may
be looking to sell guest portion! Wouldn't you?
And so the winners of Kelly Slater’s golden
ticket “visit the wave pool and fireside jam with Jack Johnston or
someone equally groovy maybe Donovan Frankenreiter but maybe also
not because maybe Matt Costa/Ben Harper/Gary Trudeau and stay in
the best hotel Fresno has to offer which is the Ramada Inn at the
airport with one friend each” contest have been announced.
Rob and Palmer are so happy. But there is a rumor floating
around that one/both of them could get happier.
Let us recall that Kelly sold to charity these golden tickets
for a minimum $10 buy in. How much do you think the WSL PURE thing
made? $3,000,000.00? $1,000,000.00? $250,000.00? Who knows! But
probably at least $250,000.00.
Right?
So what if Rob or Palmer turned around and auctioned off their
guest pass ticket in the same way except with profits going to to
Paul Speaker but to their own betterment fund?
Genius?
Yes.
Either one of them could both surf Kelly’s wave pool and
fireside jam with Jack Johnston or someone equally groovy maybe
Donovan Frankenreiter but maybe also not because maybe Matt
Costa/Ben Harper/Gary Trudeau and stay in the best hotel Fresno has
to offer which is the Ramada Inn at the airport minus the one
friend plus between $3,000,000.00 and $250,000.00.
And I only call this a “rumor” because if the calculation has
not breezed through Rob’s and Palmer’s lucky heads then shame.
Shame shame shame.
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Art show: “Unfocused! Not exciting!”
By David Lee Scales
But with gorgeous and diverse people milling
about!
Favorite BeachGrit contributor and podcast host David Lee
Scales went to the Kelly Slater art show Apolitical Process last
night in Venice, California because I could not be bothered. God
bless him. If you do not listen to his Surf
Splendor then you are an asshole. And without further
ado…
Interesting night. I still have no idea what
Kelly’s involvement was. He didn’t produce any of the art. The
people were stunningly beautiful and the party was very well
attended. I’m glad I went, but I got my fill in 10 minutes.
The vast majority of the exhibit was Bruce Reynolds’ work; which
was very uninteresting to me. It’s an attempt at a political
statement, a commentary on the absurdity of the 2016 presidential
campaign in the US. The works are essentially sculptures, made of
found items with a lot cultural touchstones and corporate brand
references. I don’t get it. I wasn’t provoked. It just simply
didn’t compel me.
Bruce’s most interesting pieces were the gun sculptures;
utilizing essentially the same process as mentioned above, but with
all the found items affixed to a wood canvas for display on a
wall.
Kevin Ancell’s Orca Boards were the highlight for me. Each board
is dedicated to a friend of Kelly’s who has died. Kevin Ancell used
a paint pen to write that person’s name in repetition on the board
in black and white ink to mimic the color pattern of an orca whale.
Kelly’s ridden each of the boards (some famously). Several are
broken. Each board is fascinating to stare at, but displayed as a
single installation makes the statement even more powerful. The
fact that the boards have been ridden, by Kelly no less, adds even
more gravity. Love that display.
Todd Glaser had a few images that were printed on some sort of
metallic canvas. I love Todd and his work. These images were
beautiful, but I’m not sure how they fit into the exhibit.
Nevertheless, I was glad he was there.
Kelly arrived midway through the evening and was swarmed with
fans trying to get iPhone photos. His silly shoes were the
highlight of the evening for me, although I don’t think anyone else
noticed (more on this coming right up!). He spent most of
time being interviewed by Vice and other outlets.
The people in attendance were so beautiful and such a diverse
bunch. Everyone was very kind and happy. All in all, a great turn
out and a great event. The exhibit on the other hand, unfocused and
unless you happen to be in Venice, not too exciting.
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Want to know why Brooklyn surf store Pilgrim Surf +
Supply linked hands with …Lost? “Matt is one of the greatest
performance board shapers of all time. I really wanted to celebrate
his designs and craftsmanship by toning down the aesthetic in the
logos and treatments so that the shapes themselves were the focal
point," says Pilgrim's Chris Gentile. "There are so many people
that can put a …Lost under their arm and say to themselves, 'Holy
shit this is an amazing board' but then get hung up on the fact
that the lams (decals) don't speak to their aesthetic
sensibilities. As lame as that sounds its a real thing so why not
make make something that will still perform incredible well with
minimal branding that will break down that barrier to entry? Don't
get me wrong, I love the ...Lost brand aesthetic because it’s
authentic, brash and not trying to be up to date with the affected
graphic treatments we see allover the place." | Photo: Pilgrim Surf
+ Supply
Collab: Lost meets Pilgrim Surf +
Supply!
By Derek Rielly
Or how your fav bear Jew got a New York City
vibe…
It’s hardly a secret that, long ago, I
beatified the San Clemente shaper Matt Biolos aka the Bear Jew.
Anyone who can build a craft that fits into my skewed vision of
surfing – I like ‘em wide, but thin, ultra-low rockered though
the front three-quarters but kicked in the tail – deserves
adoration. If you’ve ridden one of Biolos’ …Lost boards you’ll
know. A sophistication that comes from a clarity of vision.
To cement his every-man appeal, Biolos, and his pal Mike, own
the company. Biolos designs the designs. It’s as grass roots as it
comes at this level, something rare as hell in a biz where
Quik/Billabong are owned by the same investment fund.
Gentile and Biolos aren’t the sort of figures you’d immediately
put together to collab. Biolos is San Clemente, punk, raw; Gentile
is urbane, gloss coats, jazz.
And, yet, though the miracle of social, the pair just connected.
“We made some comments on his Instagram handle and started a
dialogue that way,” says Gentile, who might rival even your old pal
DR as a Biolos fan. “Matt is truly fantastic,” says Gentile. “He
was one of the first guys if not THE to make high-performance
boards that worked well for the average surfer like myself! He’s a
master! I replay the Andy Irons and Cory Lopez section
of 5’5″ x 19” 1/4” (on the Round Nose Fishes at Waimea
Shorebreak) in my mind when I’m trying to fall asleep at night!
Matt is super open-minded, creative and forward thinking. He cares
deeply about the culture, its history and pays respect to all that
has come before him. “
So, when Biolos was on an East Coast tour last year, the pair
met, and they cooked up a …Lost-Pilgrim collab.
“I love making cool shit with cool people,” says Biolos. “I
really appreciate well-curated retail stores and well merchandised
products and stories. I think Chris brings a unique passion and
ethos to his presentation. He seeks out creative people and
challenges them to leave their comfort zone.”
As for Gentile, oowee, wind him up and get him started with real
talk. He wanted the collab so the sniffy, aesthetic-minded Brooklyn
surfer, who lives or dies by the design of his decals, would get
turned onto Biolos’ brilliance.
“Matt is one of the greatest performance board shapers of all
time. I really wanted to celebrate his designs and
craftsmanship by toning down the aesthetic in the logos and
treatments so that the shapes themselves were the focal point.
There are so many people that can put a …Lost under their arm and
say to themselves, ‘Holy shit this is an amazing board’ but then
get hung up on the fact that the lams (decals) don’t speak to their
aesthetic sensibilities. As lame as that sounds its a real thing so
why not make make something that will still perform incredible well
with minimal branding that will break down that barrier to entry?
Don’t get me wrong, I love the …Lost brand aesthetic because it’s
authentic, brash and not trying to be up to date with the affected
graphic treatments we see allover the place. Its Honest. Its
Matt.”
I ask Biolos, whose father was raised in Brooklyn, to describe
the various NYC surf scenes.
“Ok, Brooklyn is not a surf spot, but lots of surfers now live
there. Like Tokyo City, or the Vally in LA, they have thriving
scenes. The surf is on the Island. Rockaway to me was always a
rough and beat-down zone. I spent time there 25 years ago. Met
Tommy Senna, who has held down that zone forever. He’s a quirky
guy, and most the surfers there (then especially) were low-skill
level, low income, dare I say kooky types. What has happened since
the young urbanites migrated from Manhattan to Brooklyn, it is
became cool and these city surfers started bringing their educated,
refined tastes and affluence to surfing and the Rockaways. You got
the Rockaway revolution of, for lack of a better word, “Hip
Surfers”. People who are passionate about surfing, have money,
education, fashion awareness and the high taste level associated
with Manhattan. Although I tend to think the majority are
still lower skill level and the surf still is sub par on that part
of the island.”
Montauk and out east?
“Here you’ve got a place that for ten weeks of the year looks
like a scene from the Great Gatsby parties. The rest of the year
it’s like the Blair Witch Project. Winters are very rough and much
of the population is seasonal. Great set ups for surf,
though: point-breaks and deeper water reef type set ups. Really
nice. Great place with cultured people and extremely high taste
levels and affluence, but with the part time residents. Think.
Natalie Portman and friends. It really needs swell to happen. This
makes for a lot of small, crumbly point waves that lend them selves
to big beautiful logs and wide flat fish. So you see a lot of that
out East.
“For me, the real center of NY surfing is mid island. Long Beach
to be precise, but there’s other stretches of jetty lined beach
breaks as well. The best surfers and most consistent surf is in
this area. This is the zone where you see high-performance
shortboards and little rippers ripping them. Balaram Stack is a
Long Beach kid. It’s where the WCT event was held and The Unsound
Pro happens each year. It’s where the best surfing is being
done.”
What sorta boards we got in the mix for the collab?
“Chris wanted boards that would be considered high-performance
but still manageable in the inconsistent New York surf by average
skilled surfers. We went with the Puddle Jumper Round and the
Quiver Killer, but added some unique tail shapes to them. We built
them using tapered stringers, made from dark soft wood and reverse
engineered the cut laps to counter balance the stringers. Chris
chose the color palate and his team created the logos with my
limited input approval. I didn’t want to trample his vision. Paul ”
The Son of Cobra ” did all the glass work himself. Lam, hot coat,
sand…everything. They are spartan in the way that there is very
slight logo-int, and the finish is a simple hand sanded texture.
Like a team board.”
But, says Biolos, The bottom has to be, no matter how god they
look, the boards must perform. And
they do.”