Yago Dora wins Lexus Trestles Pro.
Yago Dora wins Lex Trestles Pro in first ten seconds of final, smashing Kanoa Igarashi's heart into a million pieces.

Yago Dora KO’s Kanoa Igarashi in one at Lexus Trestles Pro!

More than a surfing victory! A rebuke to surf fans who believe this is Jordy Smith's destiny year.

Surfing is lucky to have the Brazilian Yago Dora in its stable. Yago, who is twenty-nine years old and the current world number two presents as a mix between Craig Anderson and Noa Deane wrapped up with a Chippa Wilson-esque aptitude for x-rated frivolity above the lip.

A short time ago, Yago Dora, the son of former pro turned surf coach Leandro Lo, effectively won the final of the Lexus Trestles Pro within the first ten seconds with an almost perfect ride, one that scrawled out the template for the rest of the final, and smashed Kanoa Igarashi’s heart into a million pieces.

 

View this post on Instagram

 

A post shared by World Surf League (@wsl)

In pretty three-to-five-foot waves reminiscent of Kelly Slater’s breakout win at the Body Glove Surf Bout III win in 1990, Yago Dora similarly delivered a game-changer, “writing his name all over the Lowers left,” said Joe Turpel. “He is turning in a surf movie part in this final.”

“He’s an artist,” said the former pro Jesse Mendes. 

Kanoa was praised for the speed he was able to generate but criticised for his inability to deliver spectators goose-bumped arms, although an old-school Kerrupt flip and shuv-it on one wave was applauded for “switching gears.” 

Yago, and women’s winner “Baddie” Lou Sakura Johnson, were both powered by Matt Biolos’ Lost surfboards, a fine choice given the Bear Jew’s thirty-year relationship with Lowers.

Yago Dora’s win is his second of the season and puts him within a dusting of points of world number one Jordy Smith.

Load Comments

Comment Live, Lexus Trestles Pro Finals Day!

"What makes the flag on the mast to wave? Courage!"

Load Comments

Selema Masekela, son of immigrants.
I also came to Southern California when I was 16 years of age, and I remember distinctly how comfortable kids were with calling the Mexican kids in my school beaners or wetbacks, and I remember when I had to literally take my forearm and put this dude up against the lockers and be like, don't say that shit around me.

Surfing’s Selema Masekela loses 1000 followers in 24 hours “for supporting hardworking, brown LA citizens.”

"People are being snatched out of schools and places of business literally at AR gunpoint in neighbourhoods not far from where I live."

If it doesn’t rain it pours and when it don’t tis dry,” goes the old couplet.

Ain’t that the case with the surf broadcaster, master storyteller and son of the South African jazz king and anti-apartheid activist Hugh Masekela, Carlsbad’s own Selema Masekela.

Selema Masekela, who is fifty-three, had a dry spell on BeachGrit for many years. I fell under his spell, you must remember, at Kelly Slater’s Surf Ranch in 2017 when Selema, then just Sal, shared with me his chocolate flavoured protein bars with no limit stipulated should I want more than one.

Then, a brief flutter in the spotlight, after his relationship with 12 Years a Slave star Lupita Nyong’o was officially ended when Lupita posted, “It is necessary for me to share a personal truth and publicly dissociate myself from someone I can no longer trust.”

Yesterday, BeachGrit reported on Selema’s claim that surfing is roiled by White Supremacy.

“That’s one of the insidious things about White Supremacy as a construct,” Selema Masekela said on New Yorker Justin Jay’s podcast. “This idea that you can put people in boxes of what they are allowed to do so whiteness or White Supremacy holding up a barrier to where you’re allowed to go, who you’re allowed to be, at a certain point, the people who are being subjected to these rules, they start to believe it!”

And today, Selema delivered a powerful monologue to his fans after, he says, at least one thousand of his Instagram followers split his camp following his opposition to the Trump admin’s hardline stance on illegal immigrants.

 

View this post on Instagram

 

A post shared by Selema Masekela (@selema)

“I lost one thousand followers in the last 24 hours, for choosing to support hardworking citizens in Los Angeles, most of whom are brown, being snatched out of schools and places of business and off the streets, literally at gunpoint, AR gunpoint, in neighbourhoods not far from where I live,” he said.

“And I’m grateful. I’m grateful to those thousand plus who departed, to those of you who thought that because perhaps we both enjoy surfing, snowboarding, skateboarding, freestyle motocross, any of the things that you might have in common with me or that you might have looked to me for, as a voice, that when you hear my actual voice it makes you cringe and feel some sort of way.

“Blessings to all of you that have departed and to those of you who decide to stay. Listen, I don’t have a choice but to use my voice. I am the son of immigrants. My mother came here from Haiti. My grandmother was fleeing political unrest. My father came here from South Africa as a political exile, fleeing the repressive, racist, evil, apartheid government and was a political exile for 30 years and never stopped using his voice through his art and through his music and helped to raise enough awareness in the world, he and others, that apartheid ended in his lifetime.

“So I don’t have a choice. I also came to Southern California when I was 16 years of age, and I remember distinctly how comfortable kids were with calling the Mexican kids in my school beaners or wetbacks, and I remember when I had to literally take my forearm and put this dude up against the lockers and be like, don’t say that shit around me.

“And it was funny because those same kids that love to scream out La Migra at Mexican kids, they were the first ones to want to go to Roberto’s or Filiberto’s or Juanita’s for their favorite bean and cheese burrito.

“So yeah, we’re in this for the long game. And I’m going to continue to use my voice in the best way that I can. And if that offends you, well, y’all know where the door is.”

Among the comments was the scandal-prone adult surf learner website The Inertia, long known for speaking truth to power etc.

“Sadly, we’ve seen this 100X on our own page over the years. Whether we share op-Eds that are meant to start thoughtful discussions or we share blunt, matter of fact news, if people don’t like what they’re hearing we can typically predict ahead of time that something is going to lose us hundreds or even thousands of followers.”

Load Comments

Soft and geeky Beach Boys
The soft and geeky Beach Boys, ol Brian Wilson far right.

Why surfers hated the “soft and chubby and fully geeked out” Beach Boys

“It was this whiny, cornball music, and we stated hissing and hooting, saying ‘What a rip-off!’

The only surprise surrounding the death of ol Brian Wilson yesterday was that he was still alive.

Politely described as “fragile”, Brian Wilson was tortured by a schizoaffective disorder, which included hallucinations and hearing voices, and which was not improved by how hard he hit LSD, pills and booze.

Amid all the praise yesterday, and justified ‘cause Wilson could write a tune, Big Sur my fav, not many outlets touched on how unpopular the Beach Boys were with actual surfers.

Which led me to dive into the Encyclopedia of Surfing for Warshaw’s take. He didn’t disappoint.

Surfers never embraced the Beach Boys, Jan and Dean, or any of the other one-hit-wonder vocal surf music groups. Surf shop managers politely accepted Beach Boys promo LPs from traveling Capital Records marketers, then sidearmed the records out the back door toward the dumpster. Bruce Brown, John Severson, Bud Browne—nobody used Jan and Dean songs on their surf movie soundtracks. Surf magazine editors aggressively ignored both groups, even though the music and image was perfectly aligned with the clean-cut, USSA-supported view of the sport everybody was pushing.

Surfers themselves had invented the Stomp, brought the Rendezvous back to life, and named Dick Dale’s new style of music. The Beach Boys and the rest, on the other hand—this was being foisted on them by outsiders, like the beach movies. Exasperated surfers didn’t know where to start with their complaints. Jan and Dean at least looked the part—tan, thin, blond, barefoot; T-shirts and white jeans—but the Beach Boys were soft and chubby and fully geeked out in their matching candy-stripe button-down shirts. Both groups were in magazines like Teen Talk and 16. Plus all that falsetto. And the ballads. Put a gun to his head, and Dick Dale still wouldn’t sing a ballad.

More than anything, surfers’ disregard for the Beach Boys and Jan and Dean came down to authenticity—or lack thereof.

“I was riding in a car with a friend when we first heard ‘Surfer Girl,’” Los Angeles surfer and 1964 world championship finalist Mike Doyle once recalled. “It was this whiny, cornball music, and we stated hissing and hooting, saying ‘What a rip-off!’ Years later I realized how good the Beach Boys’ songs actually are. But at the time, it was like they were pretending they’d made it down the stairs at Malibu and were part of the crew—except they couldn’t even surf, and everyone knew it.”

Subscribe here, or donate a little something, help a good man.

Load Comments

Selema Masekela, fighting White Supremacy in the surf.
Selema Masekela, fighting White Supremacy in the surf.

White supremacy roiling surfing says US television host Selema Masekela

“People called me the N word with a hard R in the water all the time!”

It’s been two long years since the BIPOC surfing and action sports icon Selema Masekela appeared on these pages.

Back then, BeachGrit reported, first, Selema and Black Panther star Lupita Nyong’o’s formal declaration of love and the announcement they’d bought a four-million dollar forever home in LA together, followed nine months later, by the revelation that the relationship was in ruins, with Lupita Nyong’o publishing an unflattering picture of their affair on Instagram.

“At this moment, it is necessary for me to share a personal truth and publicly dissociate myself from someone I can no longer trust,” writes Lupita Nyong’o, who won an Oscar for her performance in 12 Years a Slave. “I find myself in a season of heartbreak because of a love suddenly and devastatingly extinguished by deception… I am reminded that the magnitude of the pain I am feeling is equal to the measure of my capacity for love. And so, I am choosing to face the pain, cultivating the courage to meet my life exactly as it is, and trusting that this too shall pass.”

Selema Mesekela, if you’ve ever wondered, transitioned from the abbreviated Sal, which he picked up as a grom in Carlsbad ‘cause the local whites couldn’t pronounce his name, during the summer of 2020, death of George Floyd etc, as a way of publicly embracing his cultural identity and heritage.

Now, Selema, has revealed that a childhood given over to surfing wasn’t so pretty. He says White Supremacy was everywhere in the sport.

“That’s one of the insidious things about White Supremacy as a construct,” says Selema. “This idea that you can put people in boxes of what they are allowed to do so whiteness or White Supremacy holding up a barrier to where you’re allowed to go, who you’re allowed to be, at a certain point, the people who are being subjected to these rules, they start to believe it!”

Selema says he got hell in the water, even as a bebe.

“People called me the N word with a hard R in the water all the time!” Selema says on a podcast with Justin Jay, the master portraitist from New York City. “That was something I got used to if I showed up to a new spot as a kid. It was so joyful as a practice as an art for me I’m not going to let that stop me. I remember the first time I saw a picture of a black surfer. It was a little quarter page in the back of Surfer magazine and the idea that he looked like me and he ripped…it’s this idea, if you can see it, you can be it.”

Listen to the entire interview, which spans almost one hour, here. 

Essential for predatory whites.

Load Comments