Selema Masekela, son of immigrants.
I also came to Southern California when I was 16 years of age, and I remember distinctly how comfortable kids were with calling the Mexican kids in my school beaners or wetbacks, and I remember when I had to literally take my forearm and put this dude up against the lockers and be like, don't say that shit around me.

Surfing’s Selema Masekela loses 1000 followers in 24 hours “for supporting hardworking, brown LA citizens.”

"People are being snatched out of schools and places of business literally at AR gunpoint in neighbourhoods not far from where I live."

If it doesn’t rain it pours and when it don’t tis dry,” goes the old couplet.

Ain’t that the case with the surf broadcaster, master storyteller and son of the South African jazz king and anti-apartheid activist Hugh Masekela, Carlsbad’s own Selema Masekela.

Selema Masekela, who is fifty-three, had a dry spell on BeachGrit for many years. I fell under his spell, you must remember, at Kelly Slater’s Surf Ranch in 2017 when Selema, then just Sal, shared with me his chocolate flavoured protein bars with no limit stipulated should I want more than one.

Then, a brief flutter in the spotlight, after his relationship with 12 Years a Slave star Lupita Nyong’o was officially ended when Lupita posted, “It is necessary for me to share a personal truth and publicly dissociate myself from someone I can no longer trust.”

Yesterday, BeachGrit reported on Selema’s claim that surfing is roiled by White Supremacy.

“That’s one of the insidious things about White Supremacy as a construct,” Selema Masekela said on New Yorker Justin Jay’s podcast. “This idea that you can put people in boxes of what they are allowed to do so whiteness or White Supremacy holding up a barrier to where you’re allowed to go, who you’re allowed to be, at a certain point, the people who are being subjected to these rules, they start to believe it!”

And today, Selema delivered a powerful monologue to his fans after, he says, at least one thousand of his Instagram followers split his camp following his opposition to the Trump admin’s hardline stance on illegal immigrants.

 

View this post on Instagram

 

A post shared by Selema Masekela (@selema)

“I lost one thousand followers in the last 24 hours, for choosing to support hardworking citizens in Los Angeles, most of whom are brown, being snatched out of schools and places of business and off the streets, literally at gunpoint, AR gunpoint, in neighbourhoods not far from where I live,” he said.

“And I’m grateful. I’m grateful to those thousand plus who departed, to those of you who thought that because perhaps we both enjoy surfing, snowboarding, skateboarding, freestyle motocross, any of the things that you might have in common with me or that you might have looked to me for, as a voice, that when you hear my actual voice it makes you cringe and feel some sort of way.

“Blessings to all of you that have departed and to those of you who decide to stay. Listen, I don’t have a choice but to use my voice. I am the son of immigrants. My mother came here from Haiti. My grandmother was fleeing political unrest. My father came here from South Africa as a political exile, fleeing the repressive, racist, evil, apartheid government and was a political exile for 30 years and never stopped using his voice through his art and through his music and helped to raise enough awareness in the world, he and others, that apartheid ended in his lifetime.

“So I don’t have a choice. I also came to Southern California when I was 16 years of age, and I remember distinctly how comfortable kids were with calling the Mexican kids in my school beaners or wetbacks, and I remember when I had to literally take my forearm and put this dude up against the lockers and be like, don’t say that shit around me.

“And it was funny because those same kids that love to scream out La Migra at Mexican kids, they were the first ones to want to go to Roberto’s or Filiberto’s or Juanita’s for their favorite bean and cheese burrito.

“So yeah, we’re in this for the long game. And I’m going to continue to use my voice in the best way that I can. And if that offends you, well, y’all know where the door is.”

Among the comments was the scandal-prone adult surf learner website The Inertia, long known for speaking truth to power etc.

“Sadly, we’ve seen this 100X on our own page over the years. Whether we share op-Eds that are meant to start thoughtful discussions or we share blunt, matter of fact news, if people don’t like what they’re hearing we can typically predict ahead of time that something is going to lose us hundreds or even thousands of followers.”

Load Comments

Soft and geeky Beach Boys
The soft and geeky Beach Boys, ol Brian Wilson far right.

Why surfers hated the “soft and chubby and fully geeked out” Beach Boys

“It was this whiny, cornball music, and we stated hissing and hooting, saying ‘What a rip-off!’

The only surprise surrounding the death of ol Brian Wilson yesterday was that he was still alive.

Politely described as “fragile”, Brian Wilson was tortured by a schizoaffective disorder, which included hallucinations and hearing voices, and which was not improved by how hard he hit LSD, pills and booze.

Amid all the praise yesterday, and justified ‘cause Wilson could write a tune, Big Sur my fav, not many outlets touched on how unpopular the Beach Boys were with actual surfers.

Which led me to dive into the Encyclopedia of Surfing for Warshaw’s take. He didn’t disappoint.

Surfers never embraced the Beach Boys, Jan and Dean, or any of the other one-hit-wonder vocal surf music groups. Surf shop managers politely accepted Beach Boys promo LPs from traveling Capital Records marketers, then sidearmed the records out the back door toward the dumpster. Bruce Brown, John Severson, Bud Browne—nobody used Jan and Dean songs on their surf movie soundtracks. Surf magazine editors aggressively ignored both groups, even though the music and image was perfectly aligned with the clean-cut, USSA-supported view of the sport everybody was pushing.

Surfers themselves had invented the Stomp, brought the Rendezvous back to life, and named Dick Dale’s new style of music. The Beach Boys and the rest, on the other hand—this was being foisted on them by outsiders, like the beach movies. Exasperated surfers didn’t know where to start with their complaints. Jan and Dean at least looked the part—tan, thin, blond, barefoot; T-shirts and white jeans—but the Beach Boys were soft and chubby and fully geeked out in their matching candy-stripe button-down shirts. Both groups were in magazines like Teen Talk and 16. Plus all that falsetto. And the ballads. Put a gun to his head, and Dick Dale still wouldn’t sing a ballad.

More than anything, surfers’ disregard for the Beach Boys and Jan and Dean came down to authenticity—or lack thereof.

“I was riding in a car with a friend when we first heard ‘Surfer Girl,’” Los Angeles surfer and 1964 world championship finalist Mike Doyle once recalled. “It was this whiny, cornball music, and we stated hissing and hooting, saying ‘What a rip-off!’ Years later I realized how good the Beach Boys’ songs actually are. But at the time, it was like they were pretending they’d made it down the stairs at Malibu and were part of the crew—except they couldn’t even surf, and everyone knew it.”

Subscribe here, or donate a little something, help a good man.

Load Comments

Selema Masekela, fighting White Supremacy in the surf.
Selema Masekela, fighting White Supremacy in the surf.

White supremacy roiling surfing says US television host Selema Masekela

“People called me the N word with a hard R in the water all the time!”

It’s been two long years since the BIPOC surfing and action sports icon Selema Masekela appeared on these pages.

Back then, BeachGrit reported, first, Selema and Black Panther star Lupita Nyong’o’s formal declaration of love and the announcement they’d bought a four-million dollar forever home in LA together, followed nine months later, by the revelation that the relationship was in ruins, with Lupita Nyong’o publishing an unflattering picture of their affair on Instagram.

“At this moment, it is necessary for me to share a personal truth and publicly dissociate myself from someone I can no longer trust,” writes Lupita Nyong’o, who won an Oscar for her performance in 12 Years a Slave. “I find myself in a season of heartbreak because of a love suddenly and devastatingly extinguished by deception… I am reminded that the magnitude of the pain I am feeling is equal to the measure of my capacity for love. And so, I am choosing to face the pain, cultivating the courage to meet my life exactly as it is, and trusting that this too shall pass.”

Selema Mesekela, if you’ve ever wondered, transitioned from the abbreviated Sal, which he picked up as a grom in Carlsbad ‘cause the local whites couldn’t pronounce his name, during the summer of 2020, death of George Floyd etc, as a way of publicly embracing his cultural identity and heritage.

Now, Selema, has revealed that a childhood given over to surfing wasn’t so pretty. He says White Supremacy was everywhere in the sport.

“That’s one of the insidious things about White Supremacy as a construct,” says Selema. “This idea that you can put people in boxes of what they are allowed to do so whiteness or White Supremacy holding up a barrier to where you’re allowed to go, who you’re allowed to be, at a certain point, the people who are being subjected to these rules, they start to believe it!”

Selema says he got hell in the water, even as a bebe.

“People called me the N word with a hard R in the water all the time!” Selema says on a podcast with Justin Jay, the master portraitist from New York City. “That was something I got used to if I showed up to a new spot as a kid. It was so joyful as a practice as an art for me I’m not going to let that stop me. I remember the first time I saw a picture of a black surfer. It was a little quarter page in the back of Surfer magazine and the idea that he looked like me and he ripped…it’s this idea, if you can see it, you can be it.”

Listen to the entire interview, which spans almost one hour, here. 

Essential for predatory whites.

Load Comments

Surf Dad
He was a healthy dude, a solid 6-2 and pushing 200 lbs, with a mustache to match his physique.

How a jacked six-foot-two youth pastor became my “Surf Dad”

If you can imagine a dark-haired Sam Elliott, balanced on a surfboard, holding a leather-bound King James Version, that was him.

Unless you’re a VAL, pretty much every surfer’s origin story starts with another surfer.

A dude or chic who schlepped your little grom self to the beach and encouraged you to venture out into the foaming maelstrom, or maybe spotted you shaping sand castles on the shoreline and offered you a dinged up old beater to help spark the stoke.

For every legend of Billy Hamilton or Alexandra Florence, there’s an anonymous dad, mom, family friend, or maybe even random kind stranger who launches a grom’s surf journey.

My own surf dad was not my actual father, but rather a core Florida native who cut his surfing teeth in the mean lineups of Hollywood (the FL version, not LA) in the early 1970s.

We’ll call him Mr. B (which, coincidentally, is what I actually called him).

Ironically, growing up a hardscrabble Seventies-era outlaw surfer didn’t prevent Mr. B from going to Bible college and becoming a youth pastor, which in the fundamentalist protestant subculture of the 1980s was a special kind of minister who focused his energies on saving impressionable teenagers from hellfire — and, critically, protecting them from the subliminal satanic messages embedded in Black Sabbath and KISS albums (identifiable only when the records were played backwards).

Lucky for me, Mr. B’s spiritual journey eventually landed him at our little outpost of righteousness located squarely in the heart of the Treasure Coast.

This being the early 1980s, a newly-hired fundamentalist youth pastor didn’t just presume he could tool up to the local and stroll by nubile, bikini-clad, beach bunnies on the way to paddle out for a quick sesh, at least not without stirring up hostilities among the faithful congregants employing said pastor.

So legend has it that Mr. B consulted with the senior pastor early in his tenure about the propriety of his surfing addiction.

Word is that the senior pastor* gave Mr. B the green light, but not without a few cautionary directives about avoiding carnal temptations (which as far as I could tell, Mr. B heeded).

Having been cleared for takeoff, Mr. B didn’t waste any time in casting his surf net widely, roping in us church kids on his frequent oceanic outings.

He drove an old light blue F-150 with a beat up camper top and a bumper sticker that read, “Surfing: a natural addiction.”

And he managed to accumulate an impressive collection of dinged and yellowed single fins suitable for clueless groms to straddle and paddle out into the shorebreak.

He’d shove a half dozen boards in the bed of the Ford pickup, load us up in the cab, and chug down A1A, across the causeways, and out to the spot — usually Tiger Shores or Stuart Public Beach for those keeping score of such things.

On weekends, we would road trip up US-1 a few miles to Ft. Pierce North Jetty.

The beauty of that break, at least for a little grom getting his first tastes of fiberglass and salt water, was the plentiful sand — you could walk out 50 meters and still be in waist deep water.

It was the perfect place to catch foamy rollers and learn to stand up.

Those North Jetty outings usually involved my buddy Donnie, a little tow-headed kid who made up for his lack of height with a complete disregard for his own personal safety — he seemed to think that being half the size of his peers required him to perform stunts that were twice as dangerous, whether that be jumping off the highest peaks of any given roof or clambering out onto the weakest, highest limbs of the tallest trees.

Mr. B would toss us a couple of beaters, encourage us to paddle for as many insider waves as we could stomach, and then paddle outside to sit with the rest of the local crew and gorge himself on tasty groundswell.

He was a healthy dude, a solid 6-2 and pushing 200 lbs, with a mustache to match his physique.

If you can imagine a dark-haired Sam Elliott, balanced on a surfboard, holding a thick, black, leather-bound King James Version, that was pretty much him.

His boards of choice generally were between 8-0 and 8-6, not classic longboards but enough to propel his substantial frame along with alacrity in what were often less than ideal Florida conditions.

Donnie and I would look up from rolling around in the foamy shorebreak and spot him flying down the line, pausing only to put his waterborne muscle car on a rail and throw arcs of spray toward the Florida sky, like a slalom skier at Cypress Gardens.

On those trips, we always found time to stop over at North Jetty Surf Shop, an iconic place stuffed with boards and lined with photos of epic days when the groundswells would rumble down the coast, the wind would turn offshore, and that little slice of Florida manmade point break would do its best Cape St. Francis imitation.

Mr. B would turn us loose to wander — but not without first sermonizing rhapsodically about how NJSS was a “real” surf shop, unlike those other poseur retail outlets more interested in selling tee-shirts than surfboards, more focused on square footage than square barrels.**

The same sermon, every.single.trip, with the same blazing blue eyes, intense and emphatic — a prophet in the old testament mold, full of locusts, wild honey, and core surf values who over the years permanently branded my soul with a deep appreciation for surf shop owners who do things the right way.

It goes without saying that, after “Amazing Grace,” his favorite song was “Big Yellow Taxi.”

Thankfully, Mr. B didn’t just abandon us to the shorebreak and forever ignore our development.

He helped me evolve from standing up in the whitewater to that fateful day in 1982 when he ferried me and a few others from summer camp near Ocala over to Ormond Beach.

It was a sunny and near perfect July day, with about a two to three foot swell running in crystal clear water.

I paddled out on one of his collection of misfit surf craft, a 6-8 red Gordon & Smith single fin, the image of which is seared into my memory.

With Mr. B’s instructions on bottom turns ringing in my ears, I dropped in, leaned forward, and found myself cruising down the line on a perfect glassy wall of clean Atlantic energy.

If there was a moment in my life where it all changed, that was it.

I was never again just a human.

I was a surfer, the only real title that has stuck with me consistently ever since, through all the ups, downs and sideways turns of life.***

Once I had established my bottom turn bona fides, Mr. B helped source my first owned board, a 7-0 Sunshine shape, with the requisite single skeg, airbrushed in eponymous yellow.

Mr. B was, of course, committed to East Coast boards — anything shaped on the West Coast or, god forbid, Hawaii, was wholly unsuitable for our Florida lineups: not enough foam, way too much rocker (he was right).

Natural Art was his denomination of choice, and I was a convert — I surfed solely East Coast shapes well into my 40s.

He continued to help me in the water too, teaching me footwork, helping me understand how to slide my feet forward on those Morning of the Earth-style shapes both to maximize trim speed and to wrangle in and out of mercurial Florida tubes.

One day we ventured farther north in an attempt to catch some swell that wasn’t cut off by the Bahamas wave shadow.

During that session, I caught a fun insider at Ponce Inlet, pulled into position, and stretched my front foot forward like Shaun T at Backdoor.

The wave curled over my head just as I slid by Mr. B on his return paddle out.

His pride and excitement were palpable when I rejoined him in the lineup.

In his eyes, I may as well have actually been shacked at Backdoor — he couldn’t stop gassing me up about my perfect position to maximize opportunity in the tube.

He was also there at Sebastian Inlet that time I tried to establish inside position to grab a wave from the locals at First Peak on my 7-0 Sunshine cruiser.

After a couple of unsuccessful attempts to snag a wedge off the jetty from the likes of Johnny Futch (who just looked at me quizzically and proceeded to take off under my nose), Mr. B noticed what I was up to.

He paddled over with a pained look on his typically amicable face and sternly instructed me to get my ass off of First Peak (in so many words).

Humbled, I paddled down to Second Peak, and then even further north, honing my skills away from that pack for years before returning, occasionally, in my later teens.

Mr. B was there when I secured my first thruster, a 5-10 Ocean Avenue that I eagerly displayed to him as evidence of my surfing evolution.

“You know,” he said, “everyone who wisely chooses to ride longer boards catches more waves.”

I shook it off, my adolescent self sure I had made the right call (FWIW, I did catch a lot of waves on that board).

When the ASP came to Jensen Beach in 1984, he paddled out for the pre-contest surfs, sat next to Curren, and asked the young legend whether he had ever trusted in Jesus Christ as his personal Lord and Savior.

Mr. B reported back that TC said yes, which was enormously satisfying to my preacher’s kid psyche, since Mr. B had previously informed me in somber tones that, stylistically speaking, TC was the only pro surfer worth emulating.

But Curren was the exception to Mr. B’s commitment to all things Florida-surf adjacent.

He was insanely proud of Jeff Crawford, the Florida native who won the 1974 Pipe Masters, and he rarely, if ever, missed a chance to remind me that being a Florida-born surfer meant never backing down, no matter how big the swell.

Whenever anyone commented on the superiority of West Coast waves, he would consistently remind the speaker (and anyone else in earshot) that, unlike Florida, the water temps in California never truly warmed up.

And he would suggest (again, in so many words) that Hawaiian surfers were actually pussies since they could paddle out with dry hair at tropical reef passes, unlike East Coast surfers who had to battle the elements every time they paddled out in even modest swell events.

Whether being able to trunk it on Christmas Day made up for the often paltry East Coast swell forecasts was an open question — not to mention the suspect implication that Hawaiians fell short in the cojones department — but Mr. B was a Florida surf zealot.

Time passed, as it inevitably does.

Mr. B decided saving Florida groms from eternal damnation or, worse, a landlocked life wasn’t his highest calling — he moved on to an overseas mission field (albeit one with an exposed coastline).

I grew older, more jaded, surfed bigger waves, made dumber life decisions and moved way beyond Joni Mitchell folk ballads.

But Mr. B’s core values stuck with me, no matter where I paddled out:

Respect the locals
Don’t worry about the logo on your tee-shirt
Support surf shops that prioritize the waves
Curren is the answer to most surf-related questions
Be proud that you come from Florida and remember it any time you might be tempted to pull back from a pitching ledge
Most of all, pass along the stoke

I never won any world titles or invented new craft to ride waves, and, as far as I know, neither did anyone else in that motley crew of kids Mr. B turned on to the sport of kings.

But he still holds the top spot in my personal ocean pantheon, the guy who handed down a gift that revolutionized my life — my surf dad.

*I have this on good authority — the “senior pastor” was my actual father.

**Mr. B didn’t have to say it, we all knew he meant the Cocoa Beach Ron Jon.

***The surfing stuck — the religion, not so much.

Load Comments

Brian Wilson (front) and The Beach Boys.
Brian Wilson (front) and The Beach Boys.

Beach Boy frontman Brian Wilson dead at 82

"We are at a loss for words right now. We realize that we are sharing our grief with the world."

What would surfing be, today, if not for The Beach Boys? The quintet, originally made up of three brothers, Brian, Dennis and Carl Wilson, cousin Mike Love and pal Al Jardine exploded onto the scene with their 1963 hit Surfin’ USA. The ode to our Sport of Kings, and The Beach Boys California-infused vibe, had kids around the world dreaming of getting their feet in the wax, of getting back on the sled and resetting.

While the sun, surf, fun themes resonated, it was Brian Wilson’s orchestration that really mattered. Considered a genius by many, Wilson had a breakdown in 1964 and stopped touring with the band but continued to make art. The album Pet Sounds widely considered one of the greatest ever made.

Wilson became more reclusive over time, battling drugs and alcohol plus severe mental health troubles, though did pop back up now and again, releasing solo albums and touring again for the last 20, or such, years, though began declining with what his family described as a “major neurocognitive disorder” in 2023.

He died yesterday at the age of 82, his family announcing, “We are at a loss for words right now. We realize that we are sharing our grief with the world.”

As a surfer, do you have any strong Beach Boy opinions? Were you inspired? Frustrated with the inspiration of others? Do you have a favorite song?

Hard to beat God Only Knows, for my money.

RIP.

Load Comments